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LOT 0578
Etruscan Brownware Impasto Vase
8TH-7TH CENTURY B.C.
5 5/8 in. (328 grams, 14.4 cm).
Biconical with a broad neck, everted rim and two high handles, shoulder decorated with high vertical ridges with conical knop at centre to two faces.
ProvenanceEx private Mister X. (1931-2017) collection.
Sold in the benefit of the 'Croix-Rouge of Monaco'.
Cf. The Metropolitan Museum, accession number 96.18.84, for a broadly similar example.
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AUCTIONS:
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LOT 0578
Etruscan Brownware Impasto Vase
Estimate £800 - 1,000€930 - 1,160 (for guidance only)$1,080 - 1,350 (for guidance only)
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Scythian Bronze Antelope Mount
Circa 4th-3rd century B.C.Sold for (Inc. bp): £286
Openwork with mounting lug to the reverse; animal in active pose with S-curved tail. 50 grams, 60 mm
Acquired 1980-2015. Ex Abelita family collection. -
Greek Blackware Vessel Group
4th-2nd century B.C.Sold for (Inc. bp): £247
Group of three comprising: oil lamp with integral strap to rear; kylix with impressed palmettes design; guttos with tapering spout. 314 grams total, 8.6-18 cm
From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent. -
Greek Bronze Mirror with Eros and Aphrodite
Late Classic-early Hellenistic Period, mid-late 4th century B.C.Estimate: £12,000 - 17,000 (+bp*)
Opening Bid: £6,000
A circular box mirror comprising: a lid featuring a hammered sheet repoussé appliqué of Eros and Aphrodite, god and goddess of love, standing on either side of a thymiaterion, or censer associated with religious worship and ritual; Eros with wings outstretched, left hand supporting the top tier of the censer, right hand lowered to his side holding a wreath(?); much delicate incised detailing to his wings indicating a feathered texture; Aphrodite standing to the right, wearing a floor-length woollen tunic or chiton, a pleated himation around her waist and draped over her left arm; right hand held above the top tier of the censer; the scene is framed within an incised circular roundel; the interior of the lid, and the base including its flange, featuring a series of lathe-turned concentric circular mouldings; both halves mounted on a cleverly designed custom-made stand, which reproduces the human act of lifting the lid off the mirror base; museum-quality. 1.17 kg total, 15 cm
Private collection, London, 1975. with Christie's, Rockefeller Plaza, New York, 9 June 2011, no.109. Accompanied by a copy of the relevant Christie's catalogue pages. Accompanied by a copy of the relevant Kallos Gallery catalogue pages where the mirror is published. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12054-213612.
Handleless mirrors were luxury items that began to be produced in the second half of the 5th century B.C. Themes surrounding Aphrodite were very popular at this time. During the 4th century B.C. Eros was commonly depicted as a slim youth approaching manhood rather than as a child, as he is shown here on our example. Eros and Aphrodite are the two Greek deities most famously believed to induce desire.