Loading, please wait...
LOT 2049
Ethiopian Painted Parchment of The Saint Gabra Mannfass Qeddus Preaching Miracles of Mary
CIRCA 1650 A.D.
11 7/8 in. (32 grams, 30 cm).
Rectangular vellum fragment with painted image of preaching saint to obverse with caption, three blocks of Ge'ez script surrounding; reverse with two blocks of script. [No Reserve]
ProvenanceCollection of David Buxton (1910-2003), author of 'Travels in Ethiopia', 1949.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
LOT 2049
Ethiopian Painted Parchment of The Saint Gabra Mannfass Qeddus Preaching Miracles of Mary
Sold for (Inc. bp): £1,105
-
The Royal Navy's First Invincible Shipwreck Iron Caulking Tool
1758 A.D.Sold for (Inc. bp): £143
Comprising a triangular splayed blade with chiselled edge, columnar shank and broad striking face above. 347 grams, 17 cm
From the private collection of author and historian Dr DeWitt Bailey, one of the global authorities on the confederate army in the US civil war; thence by descent to his grandson. -
Eastern European Bronze Folding Triptych Icon of the Mother of God 'Joy of All Who Sorrow'
Circa 1850's A.D.Sold for (Inc. bp): £156
Representing the subject of the advocation of Virgin Mary, depicted as a haloed robed woman, standing with her arms extended outwards, figures kneeling at her side, Greek inscription 'ΜΡ ϴΥ’ (Mother of God) above; the other panels with the entrance of Christ in Jerusalem (top left); the Presentation to the Temple (bottom left); the Resurrection (top right) and the Ascension (bottom right); Cyrillic inscriptions over each of the scenes; on the crest and finial, the Trinity (three angels with cups) flanked by Cherubins, the Mandylion above. 85 grams, 90 mm
Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.
The icon represents the Intercession of Mary, 'Joy of all who sorrow'. It formed the central part of a triptych with the Mother of God at the centre, surmounted by iconography of veneration. The other parts of the triptych are embossed with scenes of the lives of Christ. -
Specimen Marbles from the Grand Tour Set into a Victorian Table Top
Late 19th-early 20th century A.D.Sold for (Inc. bp): £1,235
With a host of Grand Tour marble, porphyry and other specimens set into a circular marble 'table top' in the late 19th-early 20th century; with black band border similar to items from the workshop of Francesco Sibilio; mounted on a custom-made display stand. 14.3 kg total, 46.5 cm including stand
Acquired from Diana Steel just before the end of 1999 in Suffolk, UK. From the private collection of a Somerset gentleman.