Engraved Gold and Black Enamel Memento Mori Ring

Saint George on horseback, dispatching the dragon with a spear; the saint dressed in lamellar Roman cuirass and seated on a high-ended saddle secured by breast, rump, and belly straps; Old Slavic inscription on the top, reciting Saint George (Свято́й Гео́ргий ). 90 grams, 65 mm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

According to the Christian tradition, Saint George would have lived between the end of the 3rd century and the beginning of the 4th century: born into a noble Christian family, he became an officer in the Roman army and was then named a praetorian by Diocletian. But when the same emperor decided to resume the persecutions, Saint George became a victim despite his important political rank. His role in the development of the faith is so important that he is included among the Great Martyrs of the Eastern Church and his fight against the dragon becomes a symbol par excellence of the fight for good which defeats evil.

A substantial ring with a box-shaped bezel set with a table-cut red spinel of deep purplish-red hue, the reverse of the bezel convex with chamfered ends. 6.93 grams, 24.30 mm overall, 17.05 mm internal diameter (approximate size British M 1/2 , USA 6 1/4, Europe 13.09, Japan 12)



Private English collection, formed between the late 1970s and early 1990s. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12996-245986.

The box bezel is typical of both Spanish and Islamic goldsmithing traditions. The small pointed projection at the rear of the hoop, however, is not a common feature in Spanish rings but is a distinctive hallmark of Islamic goldwork — a form ultimately rooted in Middle Eastern traditions of the Sasanian, Fatimid, and Mamluk periods. This detail likely reached Spain through the transmission of techniques from the Middle East into Islamic North Africa, and subsequently into the goldsmithing repertoire of al-Andalus. These forms were adapted by Spanish goldsmiths to accommodate the tastes of a Christian clientele, reflecting the deep and enduring influence of Islamic craftsmanship in post-Reconquista Spain.

Wide hoop with a starburst motif at the base, lozengiform bezel with linear decoration. 6.65 grams, 27.83 mm overall, 23.77 mm internal diameter (approximate size British Z+2 1/2, USA 13 3/4, Europe 32.01, Japan 30)



Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of a Surrey, UK, gentleman.