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LOT 2005
Embroidery Sampler
DATED 1834 A.D.
19 1/4 x 15 3/4 in. (1.7 kg, 49 x 40 cm).
Framed and glazed; embroidered by Phoebe Chisholm aged 12 years 1834. [No Reserve]
ProvenanceAcquired on the UK art market.
East Anglian private collection.
The verse is quoted from the poem 'The Growing Boy'.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Post Medieval Mixed Glass Bottle Group
19th-early 20th century A.D.Sold for (Inc. bp): £1
In blue, clear and aqua glass including 'Davies & Shepheard, Chester', 'Cramptons Aerated Waters' and other types. 1.8 kg total, 8.1-23 cm high
Acquired UK market. Ian Roper collection. -
Post Medieval Glass Gin Bottle Group
Circa 18th century A.D.Sold for (Inc. bp): £26
Both with tapering square-section profiles, rounded shoulders, shallow kick-ups. 985 grams total, 24-27 cm high
Acquired 1990s-early 2000s. East Anglian private collection. -
Post Medieval Gold 'Thy Faith Favls Not' Decorated Posy Ring
17th-18th century A.D.Sold for (Inc. bp): £780
Displaying a circumferential band of six-armed stars to the exterior with some remains of enamelling to the fields; the interior inscribed 'THY + FAITH + FAVLS + NOT' (possibly: thy faith fails/false not). 1.20 grams, 16.93 mm overall, 14.95 mm internal diameter (approximate size British I, USA 4 1/4, Europe 7.44, Japan 7)
Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK.
In the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty.