Egyptian Wooden Head of an Ibis

Openwork wedjat eye pendant with suspension loop above and slender frame. 0.78 grams, 21 mm



Acquired 1970s onwards. Private collection of Michael O'Hara, Cambridgeshire, UK.

The wedjat eye amulet symbolised the eye of the falcon god Horus. According to ancient Egyptian mythology, Horus’ eye was gouged out by his treacherous uncle Seth and then healed by Thoth. While these amulets could be worn for protection in daily life, they also played a significant role in the funerary sphere. Wedjat eye amulets were believed to offer protection to the deceased’s mummy and could serve as substitutes for daily food offerings.

Depicted nude in a dynamic pose with his legs apart and the weight of the body upon his right leg, standing in front of a two storey structure, probably an oven; his left arm raised and right arm extended in front of his torso and resting on the edge of the structure; the oven painted pink at the top and white at the bottom with an offering receptacle at floor level. 232 grams, 15 cm



Ex Dr Daniel Marie Fouquet (1859-1914), Cairo. with Pierre Berge & Associes, Auction, Archaeology 29 November 2014, no.193. Accompanied by a French cultural export permit, no.161028. Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a copy of the relevant pages in: Perdrizet, P., Les Terres Cuites Grecques d'Egypt de la Collection Fouquet, Nancy, 1921, where it is published. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12000-211884.

The image of the ‘Eros Baker’ is part of a wide production of Roman terracotta imitating Greek models, although in somewhat crude way. In the Roman age, designs tended to be commonplace and were often indifferent copies of Greek originals. However, the production of terracotta in Hellenistic Egypt continued without interruption and the most subjects of these votive statuettes (in this case probably a baker invoking the blessing of the god upon his activity) were religious, Eros being one of the favourites.

Restrung netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face-mask with false beard, a scarab with extended wings below, the 'Four Sons of Horus’ beneath the scarab, joined together with areas of open netting of tubular beads; restrung with some later beads. 72 grams, 26 cm



Ex Mariaud de Serres, Paris, France, 1990s. From a London, UK, collection.

The Four Sons of Horus were deities responsible for protecting the internal organs of the deceased. Here, on the left, we can see the jackal-headed Duamutef, who protected the stomach, followed by the falcon-headed Qebehsenuef, protector of the intestines, then the human-headed Imsety, who protected the liver and, finally, the baboon-headed Hapy, protected the lungs, on the right.