Egyptian Wooden Head of an Ibis

Comprising five scarabs: one with a djed pillar surrounded by nwb signs; one with a jackal-headed Anubis holding a staff before a figure, with the scales of Maat above; one with a seated baboon sporting a crescent and sun disc headdress facing a royal cartouche of Thutmose III men-kheper-Re; one with a standing bird and other hieroglyphs; the largest one with worn underside. 1.97 grams total, 14-26 mm



From an early 20th century Home Counties, UK, collection.

The scarab, which represented the dung beetle, was the most popular amulet in ancient Egypt for approximately two thousand years until the Ptolemaic Period when it gradually fell out of favour. The popularity of scarabs extended beyond the borders of Egypt, and they were also distributed and produced in other regions, such as Phoenicia and Israel. The beetle is named khepri, derived from the verb 'to come into existence', and was considered the embodiment of the creator god Khepri, who was self-engendered. The ancient Egyptians mistakenly believed that the young beetle emerging from the dung ball was the result of an act of self-creation.

With rounded rim, short neck, a raised carination to the shoulder, the body tapering to a flat base; usage wear. 172 grams, 69 mm high



Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display,

Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.

Openwork wedjat eye pendant with suspension loop above and slender frame. 0.78 grams, 21 mm



Acquired 1970s onwards. Private collection of Michael O'Hara, Cambridgeshire, UK.

The wedjat eye amulet symbolised the eye of the falcon god Horus. According to ancient Egyptian mythology, Horus’ eye was gouged out by his treacherous uncle Seth and then healed by Thoth. While these amulets could be worn for protection in daily life, they also played a significant role in the funerary sphere. Wedjat eye amulets were believed to offer protection to the deceased’s mummy and could serve as substitutes for daily food offerings.