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LOT 0003
Egyptian Wooden Funerary Shabti Figurine
NEW KINGDOM, CIRCA 1570-1070 B.C.
5 3/4 in. (39 grams, 14.5 cm).
Carved in the round as a mummiform figure, with a carefully modelled tripartite wig, a rounded face, large eyes, and a subtly simpering expression.
ProvenanceEx R. Liechti (1934-2010) Geneva, Switzerland, formed between 1950-1990s.
with Liechti stock number 'E.825' to base.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12079-218221.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Schlögl, H. & Brodbeck, A., Ägyptische Totenfiguren aus öffentlichen und privaten sammlungen der Schweiz, Göttingen, 1990, p. 104, no. 43, for similar.
FootnotesA shabti (also known as ushabti or shawabti) is a small funerary figurine found in ancient Egyptian tombs, from around 2000 BCE to 30 BCE. Its main purpose was to act as a servant for the deceased in the afterlife, carrying out manual tasks like farming or irrigation as directed by the gods. Shabtis were frequently inscribed with a magical formula from the Book of the Dead to ensure they would animate when summoned.
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LOT 0003
Egyptian Wooden Funerary Shabti Figurine
Estimate £1,200 - 1,700€1,390 - 1,970 (for guidance only)$1,620 - 2,300 (for guidance only)
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Phoenician Green Stone Scarab with Three-Headed Gryllos
6th-4th century B.C.Sold for (Inc. bp): £2,730
With carapace detailing to the convex face; underside with gryllos of a bearded male, a slender female and a boar. 6.94 grams, 28 mm
Ex collection of the late Mr S. M., London, UK, 1970-1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12635-234910. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Grylli motifs usually combine various human and animal heads, sometimes including animal legs. -
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Egyptian Brown Quartzite Baboon Animal Figurine
New Kingdom, circa 1550-1070 B.C.Estimate: £5,000 - 7,000 (‡+bp*)
Opening Bid: £2,250
Carved in a typical pose, sitting on its haunches with its tail curving around the right side, its front paws resting on its knees and protruding beneath its thick furry pelt, with incised detailing, its feet either side of the phallus, the head with bulbous, striated hair on either side, chipped, snout restored; seated on a high shrine-shaped plinth with squared front and rounded back, featuring a cavetto cornice and roll detailing on the upper part. 1.15 kg, 15 cm
From a deceased American estate, 1970-1989. with Bonham's, London, 28 October 2009, no.35. Accompanied by copies of the relevant Bonham's catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12368-226706. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The baboon was an animal manifestation of the god Thoth, the patron deity of Hermopolis Magna, who was revered for his association with knowledge, writing, and healing. -
Egyptian Limestone Floral Inlay Group
Roman Period, 30 B.C.-323 A.D. or earlierSold for (Inc. bp): £104
Group of cylindrical and discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. 48.8 grams total, 12-20 mm
From a central London ADA dealership, 1980-1990. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.
