Egyptian Turquoise Glazed Seated Harpocrates

Modelled seated on a tongue-shaped base, suspension loop on the back. 0.53 grams, 8 mm



From an early 20th century French collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.

The god modelled seated on a throne with a dorsal pillar, hands resting on his knees, wearing a short kilt and a two-plume feather crown; mounted on a wooden stand. 15.75 grams total, 71 mm including stand



with Charles Ede Ltd, London, UK. Private collection, London, UK, acquired from the above on 12 July 1994. Accompanied by a copy of the Charles Ede invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12632-235078. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The amulet of the god Amun served both religious and protective purposes in ancient Egypt. Amun, a major deity associated with creation, kingship, and hidden power. Wearing an amulet bearing Amun’s image or name was believed to invoke his divine protection, grant strength, and confer favour or legitimacy. Such amulets were also placed among burial goods to ensure the deceased was protected and guided in the afterlife.

With textured carapace, bull-horned column to the reverse, possibly a symbol of Tanit. 3.94 grams, 15 mm



From the property of the late Mr SM, London, UK, 1969-1999. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The widespread adoption of the scarab, both as a symbol linked to the concept of rebirth, and in its function as a seal, exemplifies the extent of Egyptian influence on Phoenician culture, from its origins in the Levant to its spread across the Mediterranean.