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LOT 0017
Egyptian Turquoise Faience Shabti of Prince Khaemwaset
NEW KINGDOM, RAMESSIDE PERIOD, 19TH DYNASTY, 1282-1225 B.C.
6 in. (284 grams, 15.1 cm).
Wearing daily dress and carrying agricultural implements, with dark blue details including his short wig with side-lock, designating him as a Sem-priest of Ptah at Memphis, the text on the kilt naming him as 'Sem-priest and King's son Khaemwaset'; with round-topped back support, the reverse with two columns of hieroglyphs with part of the shabti formula: "He says: O shabti, if one counts, if one is reckoned to do all the works that are to be done there in the God’s land—now indeed obstacles are implanted therewith—as a man at his duties, ‘Here I am,’ you shall say when you are counted off to cultivate the fields, transport by boat the sand of the east to the west and vice versa; ‘Here I am,’ you shall say".
ProvenanceWith Barakat, Beverly Hills: reputed to be from the Omar Pasha Sultan collection, (1806-1871) but unpublished in the 1929 catalogue of the collection, nor in Aubert's 1976 article on the shabtis in the collection.
Bonhams, London, 1 May 2013, no.282.
Accompanied by copies of the relevant Bonhams catalogue pages.
Accompanied by an academic report by Egyptologist Paul Whelan.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12938-243536.
See the Cairo Museum see inv.7701, for a similar example.
FootnotesPrince Khaemwaset was the fourth-ranked son of Ramesses II and the second born to Queen Isetnofret. More is known about Khaemwaset than any other son of Ramesses II, attested by over 150 objects, ranging from statues to temple reliefs. He is traditionally regarded as the “first Egyptologist” for his restoration of monuments belonging to earlier kings, including the pyramids at Giza and Saqqara. Recent reassessment, however, suggests that some of these activities involved dismantling parts of ancient structures for reuse in his father’s temple constructions.
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LOT 0017
Egyptian Turquoise Faience Shabti of Prince Khaemwaset
Estimate £8,000 - 10,000€9,280 - 11,600 (for guidance only)$10,800 - 13,500 (for guidance only)
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Egyptian Bronze Harpokrates Pendant
Late-Ptolemaic Period, 664-30 B.C.Estimate: £150 - 200 (+bp*)
Opening Bid: £75
Modelled seated with his arms by his sides, wearing a sidelock of youth and the remains of an elaborate hem-hem crown; partial suspension loop behind the headdress. 20.7 grams, 72 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
Harpocrates is the Greek version of the Egyptian Hor-pa-khered, which means ‘Horus the Child’. This name refers to Horus as the divine infant of Isis and Osiris. Wearing an amulet of Harpocrates was believed to provide the same protection that Isis offered to her beloved son. -
Egyptian Faience Amulet Group
Late-Ptolemaic Period, circa 664-30 B.C.Sold for (Inc. bp): £650
Comprising: two amulets of Isis suckling infant Horus; Horus in falcon form; a papyrus column; a djed pillar; two amulets of Thoth depicted as an ibis-headed man; a circular plaque with head of Bes, and others. 29 grams total, 16-52 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Egyptian Coptic Textile Fragment Group
Circa 7th century A.D.Sold for (Inc. bp): £286
Comprising: a large fragment of a tunic with double segmenta in dark purple wool over linen, S torsion, formed by two parallel stripes, embroidered with kantharos and floral patterns, inscribed in tondos within bands with crenellated borders; a thin clavus connected to an orbiculus ending in an arrow shape, red purple and brown wool over linen, S torsion, embroidered with S shaped and lanceolate patterns. 207 grams total including package, 31-33.5 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
This type of embroideries were typical of tunics and garments characterised by full-length clavi, and segmenta, decorated with either intricate geometric patterns or floral and vegetal motifs. In Christian symbology, the kantharos was an ancient Greek wine cup that symbolised resurrection and eternal life through Christ.