Egyptian Travertine Kohl Jar and Lid

With a round face, large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners; the forehead with a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand



Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408.

The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).

Rectangular relief showing the pharaoh wearing the pschent crown of Upper and Lower Egypt and presenting the hieroglyphic sign of a field (sḫt) in his outstretched palms towards the now barely discernible figure of a standing deity holding a long sceptre; an empty cartouche above and a column of worn hieroglyphic text below; mounted on a custom-made display stand. 18.4 kg total, 45.5 cm including stand



Acquired 1970s-1996. Private collection, Switzerland. with a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12943-244661.

Scenes showing the pharaoh offering various items, including fields, to one or more deities are found in temples across Egypt. The empty cartouche is a feature most often seen in inscriptions from Ptolemaic and Roman-period temples, reflecting uncertainty over the holder of power in the country.

Comprising: a large fragment of a segmentum in white and red linen and wool, S torsion, borders embroidered with meanders, the central scene representing running hares; a purple on linen fragment of a clavus representing a dancer, borders with geometric decoration; and a large fragment of a tablion, ornamented with images of fishes, birds and vegetal patterns in red, green, yellow and dark blue wool, the central tondo missing. 66 grams total including package, 14.3-20.3 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

Water plant elements are scattered across the bottom of the tablion, which is decorated with water birds; these decorations likely surrounded the image of a nereid. These abstract decorations show a strong stylisation often giving the marine animals a plant-like appearance.