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LOT 0060
Egyptian Stone Head
COPTIC, CIRCA 6TH CENTURY A.D.
11 1/2 in. (2.92 kg total, 29 cm wide including stand).
Stylised face with broad surrounding hood with corrugated texture to the outer face; lentoid face with reserved almond eyes, D-section nose and slit mouth; with arc of drilled holes around the inner edge of the hood to accept inset ornaments, more holes to the forehead, eyes, cheeks and chin; mounted on a custom-made stand. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Cf. similar head of less refined workmanship in the Metropolitan Museum of Art, New York, under accession no.25.10.20.58.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Faience Hieroglyphic Shabti For Djed-Bastet-iuef-ankh
Third Intermediate Period, 1069-702 B.C.Sold for (Inc. bp): £156
With pale blue surface and applied black detailing to hair, seed-bag and tools; faint hieroglyphs to lower body giving the dedication 'The Osiris, Djed-Bastet-iuef-ankh'. 18.9 grams, 80 mm
From a UK collection in the 1990s. Property of a Cambridgeshire, UK, gentleman. -
Egyptian Limestone Painted Shabti Inscribed for Ir-Nu
New Kingdom, 19th-20th Dynasty, 1295-1077 B.C.Sold for (Inc. bp): £18,200
Inscribed for Ir-nu; with carefully modelled face, large eyes and unnaturally large ears, wearing a neck-strap, a long tripartite wig with incised striations and a broad three-band collar; holding a pick in his left hand, a hoe in the right and a seed bag hanging over the left shoulder; the unusual position of the hands opposed on the chest; the text beginning in the vertical column running down the front of the figure, continuing in five horizontal bands with pale red-ochre pigment colouring to the top, middle and bottom bands; the same pigment used to colour the implements and also alternates with blue striations of the wig, the neck strap and details of the collar also in blue; the inscription from the Book of the Dead Chapter 6, reading: (Vertical column:) 'The illuminated one, the Osiris' (Horizontal rows:) 1) Ir-nu, true of voice, he says: O, this shabti 2) if one is counted, if one is reckoned to do the work 3) [to do all that is to be done in] the god’s land, to cultivate the riparian lands, transport by boat 4) [sand of] the west to the east, to act 5) at any time, to serve there (you) shall say true of voice(?). 1.4 kg total, 28.4 cm high including stand
Carieau family collection, Belgium, acquired in 1952. Ex Maspero collection, Paris, 1963. Acquired from a private European collection, in 1978. Accompanied by a copy of a technical report by Edmund S. Meltzer Ph.D. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12080-217053. -
Egyptian Blue Glazed Faience Shabti
Late Period, 664-332 B.C.Sold for (Inc. bp): £111
With dorsal pillar, hands folded across the chest holding a pick and hoe, with a front panel of faintly impressed hieroglyphic text. 72 grams, 10.7 cm
Ex M.S. Ciappara collection, Norfolk, UK, 1939-1950.
Shabti figures were created to carry out heavy manual tasks on behalf of a person in the afterlife. They were often depicted with tools in their hands, such as baskets, mattocks, and hoes. Over time, the number of shabtis in a standard elite burial increased, from one in the Eighteenth Dynasty to several in the Nineteenth Dynasty, to one for every day of the year by the Third Intermediate Period. The number of shabtis remained in the hundreds during the Late Period.