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LOT 0023
Egyptian Steatite Portrait of a Ptolemaic Prince
2ND-1ST CENTURY B.C.
4 in. (84 grams total, 10 cm including stand).
With a round face, large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners; the forehead with a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand.
ProvenancePrivate collection, Bern, Switzerland.
with Galerie Rhéa, Zurich, Switzerland.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408.
Cf. Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.68, no. 3.2, for another small steatite head in the Petrie Museum (UC 49930) featuring a similar rounded face, wavy hair, and a twisted diadem, dated to the 1st century B.C.
FootnotesThe Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time.
It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).
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LOT 0023
Egyptian Steatite Portrait of a Ptolemaic Prince
Estimate £2,500 - 3,500€2,900 - 4,060 (for guidance only)$3,380 - 4,730 (for guidance only)
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Large Mounted Egyptian Coptic Textile
Circa 6th-7th century A.D.Sold for (Inc. bp): £234
Possible fragment of tapestry or a cloak, light fabric, S-twist tapestry, ornamented with wool and linen flowers in red, green and yellow colour. 1.8 kg total, mount: 78 x 70 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
Most of the linen or wool garments found by A. Gayet in the Antinoe necropolis were woven in a specific pattern, in a single piece, on a horizontal warp. Another relatively common pattern for linen garments consisted of assembling three pieces woven on a single warp and forming the upper part of the garment, with the collar and sleeves. -
Egyptian Turquoise Faience Shabti of Prince Khaemwaset
New Kingdom, Ramesside Period, 19th Dynasty, 1282-1225 B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £3,500
Wearing daily dress and carrying agricultural implements, with dark blue details including his short wig with side-lock, designating him as a Sem-priest of Ptah at Memphis, the text on the kilt naming him as 'Sem-priest and King's son Khaemwaset'; with round-topped back support, the reverse with two columns of hieroglyphs with part of the shabti formula: "He says: O shabti, if one counts, if one is reckoned to do all the works that are to be done there in the God’s land—now indeed obstacles are implanted therewith—as a man at his duties, ‘Here I am,’ you shall say when you are counted off to cultivate the fields, transport by boat the sand of the east to the west and vice versa; ‘Here I am,’ you shall say". 284 grams, 15.1 cm
With Barakat, Beverly Hills: reputed to be from the Omar Pasha Sultan collection, (1806-1871) but unpublished in the 1929 catalogue of the collection, nor in Aubert's 1976 article on the shabtis in the collection. Bonhams, London, 1 May 2013, no.282. Accompanied by copies of the relevant Bonhams catalogue pages. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12938-243536.
Prince Khaemwaset was the fourth-ranked son of Ramesses II and the second born to Queen Isetnofret. More is known about Khaemwaset than any other son of Ramesses II, attested by over 150 objects, ranging from statues to temple reliefs. He is traditionally regarded as the “first Egyptologist” for his restoration of monuments belonging to earlier kings, including the pyramids at Giza and Saqqara. Recent reassessment, however, suggests that some of these activities involved dismantling parts of ancient structures for reuse in his father’s temple constructions. -
Egyptian Limestone Offering Table for Iny
Late Old Kingdom-First Intermediate Period, circa 2400-2040 B.C.Sold for (Inc. bp): £11,700
Rectangular table with the upper part carved in high relief in the shape of a bread loaf on a mat representing the hieroglyphic sign for "offering" (ḥtp), with two rectangular recesses for libations, and extensive hieroglyphic inscriptions displaying offering formulae along with the titles and name of the deceased: "an offering that the king gives and Anubis, the one upon his mountain, a voice offering of bread and beer for the sole companion, god’s sealer, the revered one before the god, lord of the sky/heaven, In[y]". 14.75 kg, 45.5 cm
Acquired 1970s-1996. Private collection, Switzerland. with a North American collector. London collection, 2016. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13001-244462.
Offering tables played a significant role in ritualistic activity within tombs. Their origins may be traced back to the simple act of placing a loaf of bread on a reed mat during Predynastic burials, which gradually evolved into a more formalised and durable expression in stone. The distinctive form also became a hieroglyph, used in words meaning “to be satisfied,” “to be satiated,” and similar expressions, reflecting appropriate sentiments for food and drink offerings.
