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LOT 0414
Egyptian Silver Fly Amulet
LATE PERIOD, 664-332 B.C.
3/4 in. (1.05 grams,17 mm).
With textured detailing to wings, body and eyes, pierced for suspension. [No Reserve]
ProvenanceFrom a gentleman's family collection, 2000s.
LiteratureCf. Andrews, C., Amulets of Ancient Egypt, London, 1994, pp.62-3.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Large Mounted Egyptian Coptic Textile
Circa 5th-7th century A.D.Sold for (Inc. bp): £1,430
Possibly a fragment of a cloak, wool on linen, S-twist tapestry, decorated with a band of lanceolate leaves and two bigger opposed leaves in red, green and yellow colour. 345 grams total, mount: 86.5 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
A. Gayet, who excavated the Necropolis of Antinoe, showed that the cloaks of Coptic-era nobles could be ornate, with decoration applied or woven into the fabric. Realised in dark blue, red, orange, yellow, green, brown and off-white linen and wool, the leaves are usually positioned inside a central medallion, also lanceolate, divided by a small leaf surmounted by a flower. -
Egyptian Turquoise Faience Shabti of Prince Khaemwaset
New Kingdom, Ramesside Period, 19th Dynasty, 1282-1225 B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £3,500
Wearing daily dress and carrying agricultural implements, with dark blue details including his short wig with side-lock, designating him as a Sem-priest of Ptah at Memphis, the text on the kilt naming him as 'Sem-priest and King's son Khaemwaset'; with round-topped back support, the reverse with two columns of hieroglyphs with part of the shabti formula: "He says: O shabti, if one counts, if one is reckoned to do all the works that are to be done there in the God’s land—now indeed obstacles are implanted therewith—as a man at his duties, ‘Here I am,’ you shall say when you are counted off to cultivate the fields, transport by boat the sand of the east to the west and vice versa; ‘Here I am,’ you shall say". 284 grams, 15.1 cm
With Barakat, Beverly Hills: reputed to be from the Omar Pasha Sultan collection, (1806-1871) but unpublished in the 1929 catalogue of the collection, nor in Aubert's 1976 article on the shabtis in the collection. Bonhams, London, 1 May 2013, no.282. Accompanied by copies of the relevant Bonhams catalogue pages. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12938-243536.
Prince Khaemwaset was the fourth-ranked son of Ramesses II and the second born to Queen Isetnofret. More is known about Khaemwaset than any other son of Ramesses II, attested by over 150 objects, ranging from statues to temple reliefs. He is traditionally regarded as the “first Egyptologist” for his restoration of monuments belonging to earlier kings, including the pyramids at Giza and Saqqara. Recent reassessment, however, suggests that some of these activities involved dismantling parts of ancient structures for reuse in his father’s temple constructions. -
Egyptian Blue Faience Bastet Cat Amulet
New Kingdom, circa 1550-1070 B.C.Sold for (Inc. bp): £715
Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 3.25 grams, 28 mm
Ex London gallery and Belinda Elliston, a member of the Egyptian Exploration Society, 1940s onwards.
In ancient Egypt, the cat was venerated as the sacred animal of the goddess Bastet, whose principal cult centre was Bubastis in the Nile Delta. Although cats were once part of folk practice, their veneration as part of formal cults spread across Egypt during the Late Period. Bastet was closely linked to lion-headed goddesses like Sekhmet, Tefnut, and Pakhet, and the cat itself became associated with solar imagery: the Book of the Dead portrays the sun god as a Great Cat vanquishing Apophis beneath the sacred Ished Tree. The cat could also embody the Eye of the Sun or, more often in Bastet’s case, the Eye of the Moon. Mummified cats were frequently dedicated as votive offerings, and some of their feline-shaped coffins were adorned with finely crafted bronze heads to enhance their divine likeness.