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LOT 0480
Egyptian Silver Bastet Cat Goddess
LATE PERIOD, 664-332 B.C.
1/2 in. (1 1/4 in.) (1.27 grams, 13 mm high (6.02 grams total, 33 mm including stand)).
Modelled seated on an oblong base; accompanied by a custom-made display base.
ProvenanceEx Mrs Zimmermann Koutoulakis, December 1977.
Ex R. Liechti (1934-2010) Geneva, Switzerland, collection between 1950-1990s.
Bastet was primarily a goddess of fertility, but she also represented festivities and intoxication, which formed part of the temple celebrations of her cult.
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AUCTIONS:
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LOT 0480
Egyptian Silver Bastet Cat Goddess
Estimate £800 - 1,000€930 - 1,160 (for guidance only)$1,080 - 1,350 (for guidance only)
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Egyptian Faience Bead Necklace String with Taweret Amulet
Late Period, 664-332 B.C.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Restrung using mainly annular and tubular beads, two wedjat eye pendants with black detailing; a large Taweret pendant to the centre, the hippopotamus goddess modelled advancing on a tongue-shaped plinth and wearing a tripartite wig; repaired. 12.7 grams, 31 cm
From the vendor's grandfather's collection, formed in the 1950s; thence by family descent circa 1974.
Taweret was a female hippopotamus, with the arms and legs of a lion and the back and tail of a crocodile. Despite her fearsome appearance, Taweret was a household deity and protector of women in childbirth. -
Egyptian Limestone Relief with Bound Asiatic Captive
New Kingdom, 19th Dynasty, circa 1250 B.C.Sold for (Inc. bp): £5,200
Sub-rectangular with keyhole-shaped aperture to the lower right edge; low-relief figure in profile wearing a tunic with circular neckline, bobbed hair swept behind the ears, sharp facial features with short goatee beard; bands of vertical fluting. 14.5 kg, 37.5 cm high
Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11830-207550.
The features and hairstyle of the figure resemble closely those of Asiatic captives shown on the outer wall of the temple of Ramesses II at Abu Simbel, Egypt. It is likely that the Egyptian artists from the time of Thutmose III onwards had frequent opportunities to observe the foreigners who came, or were brought into Egypt. It is likely that the Egyptian artists were interested in differentiating the various peoples encountered by the armies on their campaigns northward during the New Kingdom. The remains of a circular aperture behind the figure probably indicates that the slab was re-used as a grindstone or a door pivot in ancient times. -
Egyptian Lapis Lazuli Djed Pillar Amulet
7th-6th century B.C.Sold for (Inc. bp): £468
Amuletic pendant of the djed pillar with fine detailing; loop to the apex. 2.3 grams, 28 mm
Private collection of Mr S.A., Switzerland, 1990s, thence by descent.