Egyptian Reproduction Tablet with Anubis

The oval intaglio carved with a lively Bacchic procession: a winged putto driving a goat-drawn chariot, grasping a thyrsus with one hand and guiding the reins with the other; before the chariot, another putto dancing and playing the pipes; set in a gold pendant. 7.83 grams, 38 mm



Private collection, UK.

The subject reflects the revival of antique themes characteristic of early 19th-century glyptic art, drawing inspiration from Roman gems and Renaissance engravings after Raphael. Such imagery of putti in Bacchic revels was emblematic of festivity, abundance, and playful triumph, well-suited to the Neoclassical fascination with classical allegory. For a comparison, see the Metropolitan Museum of Art, New York, accession no. 49.97.335, “A frieze arrangement with a putto wearing a laurel crown riding a goat at left and many infants playing musical instruments in front,” Master of the Die after Raphael, c. 1530–60.

Cruciform bifacial pendant with hinged suspension loop and two-headed eagle; obverse with recessed panels, Corpus Christi to the centre and busts of saints surrounding; reverse with central recessed lozenge and busts of Mary and infant Jesus surrounded by busts of the evangelists; stamped '925' to rear of loop. 15 grams, 55 mm



From the private collection of a West London, UK, gentleman, formed since the early 2000s.

A restrung designer necklace composed agate, amethyst, rock crystal, sodalite, and other beads in various shapes, interspersed with various amulets and four domed stamp seals, large pendant to the centre with engraved detailing. 194 grams, 68 cm



From the family collection of a Hampstead gentleman; formerly acquired in the 1980s.