Egyptian Porphyry Disc-Mace

Dressed panel with reserved rectangular border to upper edge with ochre and terracotta pigment; left edge with reserved rectangle and column of hieroglyphs picked out with pigment; the left edge with a reserved rectangle and column of hieroglyphs picked out with pigment giving the titles of the deceased: ı͗ry-pꜤt ḥꜢty-Ꜥ nb, 'member of the elite, foremost of action, and lord'; to the right, a tabulated list of offerings with the quantities for each indicated beneath. 10.85 kg, 37 cm high



Acquired in the mid-1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12199-222171.

The majority of preserved Old Kingdom offerings lists come from tombs at Saqqara or other parts of the Memphite necropolis and were intended to ensure that the deceased would be sustainably provided for eternally. During the 4th Dynasty, around 165 different offerings could be listed for the deceased, but by the 5th Dynasty, almost half of these had disappeared while some new ones were added. Even then, these lists could include around a hundred offerings. Although non-consumable items such as eye paint and cloth are sometimes listed, most offerings are different kinds of food, such as bread, wine, grain, and fruit.

Round-topped stela with decoration on two registers; the lunette, featuring a winged sun disk with pendant uraei; the main panel with a frieze in sunk relief depicting the pharaoh wearing the double crown, facing left offering the hieroglyphic symbol for 'fields'; a goddess stands behind him, possibly Isis, wearing a tight-fitting robe and sporting a tall two-plumed headdress, with one hand raised in praise; facing the pharaoh is the falcon-headed god, possibly Horus or Her-wer, wearing a double-crown, and behind him stands the ibis-headed Thoth wearing the Atef crown, both gods hold a was-sceptre; repaired, mounted on a custom-made stand. 19.45 kg total, 55 cm including stand



Acquired in the mid-1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12200-222172.

The overall tripartite composition is comparable to numerous stelae of the Ptolemaic Period and can be dated to the 3rd-2nd century B.C. The decorative lunette and/or sky bands and bold sunk relief winged sun disc are characteristic of this period, as is the fringed detailing of the female’s garment. The offering of the ‘field’ symbol is also a frequent depiction of the stelae of this period, which can be understood as a ‘catch-all’ device representing an offering of all the produce from the fields. Such stelae were often produced as stock products to which clients would have their names and other details added. Therefore, the stela is likely an example of a stela awaiting a purchaser. After the purchase, the hieroglyphic labels would be added to the figurative tableau, and a dedicatory text would be carved into the plain rectangle in the lower part. Sometimes, however, it appears that a purchaser could not afford the additional expense of a professionally engraved inscription, and so would scratch a short dedication in the lower panel as seen, for example, in the stela for Horudja from the Delta site of Tanis and now in the Musée du Louvre (inv. no. AF 11682).

Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. 33 grams total, 13-18 mm



From a central London ADA dealership, 1980-1990.

Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.