Egyptian Porphyry Disc-Mace

Comprising groups of three oval carnelian beads with interstitial biconvex and annular beads, a turquoise faience ribbed tubular bead and an irregular polyhedral carnelian centrepiece. 35 grams, 70 cm



From the private collection of the late Mrs Belinda Ellison, long time member of the Egyptian Exploration Society, c.1940-2020.

Modelled in the half-round with rounded facial features, lappet wig, false beard and crossed arms holding a pick and a hoe. 18 grams, 78 mm



Ex H. Norry collection, 1980s-1990s.

One of the primary purposes of shabti figures was to carry out heavy manual tasks on behalf of a person in the afterlife, and they were often depicted with necessary implements in their hands, such as baskets, picks, and hoes. Over time, the number of shabtis in a standard elite burial increased, from one in the Eighteenth Dynasty to several in the Nineteenth Dynasty, to one for every day of the year by the Third Intermediate Period. The high number of shabtis remained a feature in the Late and Ptolemaic Periods.

With a tall, flaring cup rounded at the base, attached to a short stem supported on a flared foot; the outside of the cup decorated with petals modelled in relief and a ribbed rim; the stem and foot plain; some restoration. 126 grams, 16 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12099-214088.

Faience chalices shaped like the flowers of the blue lotus (Nymphaea caerulea) first appeared in the 18th Dynasty. The blue lotus chalices were believed to have been used for cultic or votive purposes in temples or in rituals offered to the dead. Known as 'Seshen' by the ancient Egyptians, the blue lotus was a symbol of solar concepts associated with rebirth, probably because its flowers opened in the morning and closed at night. Hence, it is not surprising to find that the lotus was prominently featured in ancient Egyptian funerary art, particularly in banqueting scenes honouring the deceased, and in bouquets that adorned the coffin and bier of the deceased. It is also believed that the flower petals were used to make perfume, and that the ancient Egyptians took advantage of the lotus's narcotic properties. The extracted essence was added to wine to enhance its pleasurable effects, as depicted in banqueting scenes with intoxicated guests.