Egyptian Poppy Amulet Group

Formed as a rearing cobra with the hood divided into cells to accept inlay. 6.54 grams, 35 mm



From the collection of a gentleman, acquired on the London art market in the 1990s.

The uraeus depicts a rearing cobra and symbolises royal power and authority, as well as the Lower Egyptian goddess Wadjet.

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 0.51 grams, 8 mm



Ex French collection, early 20th century. From the collection of a late Japanese gentleman, 1970s onwards.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.

Comprising a large segmentum in linen and wool, with a hare and nereid, wool purple on linen, S torsion, borders with dentellid decoration; two other segmenta in wool and linen, part of clavi, with floral and vegetal embroidery. 41 grams total including package, 19-33 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

The theme of rabbits or hares, in association with other characters and animals of the Dionysian thiasos (here a nereid), has notable parallels. Such representations are linked to narratives of the Dionysian cycle.