Egyptian Plaque with Fertility Figure

Showing the jackal deity Wepwawet standing with ears pricked on a sledge, the slender body modelled with long legs and a tail, suspension loop on the back; two rearing cobras before the jackal; mounted on a custom-made display stand. 54 grams, 91 mm (162 grams total, 11.7 cm including stand )



Ex Dr R. and Mrs L.B., Zumikon, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12627-236406. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Wepwawet, meaning "Opener of the Ways," was an ancient Egyptian god associated primarily with warfare, protection, and funerary practices. Depicted as a jackal or a man with a jackal's head—often mistaken for Anubis—Wepwawet was believed to guide souls through the afterlife and open paths both in battle and in the spiritual realm. He originated in Asyut (ancient Lycopolis) in Upper Egypt and was one of the oldest deities in the Egyptian pantheon, with worship dating back to at least the First Dynasty (c. 3100–2900 BCE). Over time, Wepwawet became closely linked to Anubis, and the two were sometimes conflated, though Wepwawet retained his distinct identity as a god who preceded and cleared the way. In military contexts, Wepwawet was invoked to "open the way" for pharaohs and armies, ensuring victory and safe passage. In funerary texts, he was described as clearing the path to the afterlife, acting as a scout or guide for the deceased.

Composed mainly of biconical, oblate, and other beads with three larger pendants; with modern gold attachment. 16.4 grams total, 21 cm long



From the private collection of the late Mrs Belinda Ellison, a long time member of the Egyptian Exploration Society, c.1940-2020. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The god modelled seated on a throne with a dorsal pillar, hands resting on his knees, wearing a short kilt and a two-plume feather crown; mounted on a wooden stand. 15.75 grams total, 71 mm including stand



with Charles Ede Ltd, London, UK. Private collection, London, UK, acquired from the above on 12 July 1994. Accompanied by a copy of the Charles Ede invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12632-235078. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The amulet of the god Amun served both religious and protective purposes in ancient Egypt. Amun, a major deity associated with creation, kingship, and hidden power. Wearing an amulet bearing Amun’s image or name was believed to invoke his divine protection, grant strength, and confer favour or legitimacy. Such amulets were also placed among burial goods to ensure the deceased was protected and guided in the afterlife.