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LOT 0472
Egyptian Pharaoh Watercolour Attributed to Howard Carter
DATED 1917 A.D.
15 1/4 x 12 1/4 in. (898 grams total, 38.5 x 31 cm).
Profile bust of an Egyptian male in nemes headcloth with uraeus to the brow, wesekh segmented collar; signed bottom right 'Howard Carter, 1905'; board to reverse with pencilled note 'Hatshepsu' and inked 'Watercolour painting signed H carter 1905 / remnants of an old Philips auction label on verso', with pencilled star motif. [No Reserve]
Provenancewith old Phillips label to the verso.
LiteratureCf. Davis, T.M., The Tomb of Hâtshopsîtû, London, 1906, plate facing p. 22, for Howard Carter's version of the same image produced for Theodore M. Davis' publication of Hatshepsut's tomb.
FootnotesHatshepsut was the longest-reigning female ruler in Egyptian history (1473-1458 B.C.), who undertook several military expeditions.
Howard Carter's father, Samuel, was an illustrator for the Illustrated London News in the later 1800s. In 1891, Howard Carter accompanied Percy Newberry on an expedition focussing on First Intermediate Period tombs at the Middle Egyptian site of Beni Hasan, from which many of his original pieces survive. During his time at El-Amarna, the excavator Flinders-Petrie took Carter to visit the newly discovered royal tomb of Pharaoh Akhenaten. Carter made some sketches there which were published in The Daily Graphic on March 23, 1892, accompanying Petrie’s article on the tomb. These sketches were the first Egyptian drawings published by Howard Carter, and the first to convey the uniqueness of Amarna art to the European public.
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LOT 0472
Egyptian Pharaoh Watercolour Attributed to Howard Carter
Sold for (Inc. bp): £1,430
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Egyptian Wooden Sarcophagus with Falcon Mummy
Late Period-Ptolemaic Period, 664-31 B.C.Estimate: £8,000 - 10,000 (‡+bp*)
Opening Bid: £3,500
Two-part wooden (sycamore?) falcon-headed mummiform coffin carved from a single piece of wood, with a tripartite wig and human ears, painted detailing to the eyes, and broad decorative collar; the whole covered with black paint with traces of yellow decoration and inscriptions; inside a mummified falcon wrapped in linen strips. 2.3 kg, 49.5 cm
Ex R. Liechti (1934-2010) Geneva, Switzerland, formed between 1950-1990s. Accompanied by a copy of an old collection inventory note. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12074-218220.
This falcon-headed coffin once contained a so-called 'corn mummy' - a mummiform effigy impregnated with grain, which germinated. Such 'corn mummies' were associated with Osirian regeneration, fertility, and rebirth concepts. The falcon-headed coffin was associated with the powerful funerary deity Sokar-Osiris or Ptah-Sokar-Osiris. It seems that the original contents of this coffin were either lost or discarded and replaced with a mummified bird (falcon?). Interestingly, the most significant number of falcon-headed coffins come from Tuna el-Gebel, the site of an extensive animal mummy necropolis. -
Large Egyptian Bone Doll's Arms
Coptic, circa 5th-8th century A.D.Sold for (Inc. bp): £572
Matched pair, carved with creases to the fingers, hatched cuff at the wrist, pierced at the shoulder. 80 grams total, 16 cm each
Ex London, UK collection, 1990s. -
Egyptian Female Fertility Figurine Plaque
Late Period-Ptolemaic Period, 664-31 B.C.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £600
Carved rectangular plaque with central recess, carved image of a nude female modelled in the half-round with a deeply striated bag wig, arms by her side; traces of red and black pigment on the body; mounted on a custom-made stand. 502 grams total, 17.1 cm including stand
From a central London collection, formed 1980-2000. From the private collection of Mr David Barker, London, UK; thence by descent.
The rectangular limestone plaque almost certainly represents a shrine. Such plaques first appeared in Lower Egypt and became widespread in the Late Period and Ptolemaic era. They may have developed from earlier female figurines depicted on beds and are usually associated with the female goddesses Isis and Hathor, both powerful protectors of women and childbirth and associated with fertility.
