Egyptian Painted Wooden Mummy Mask

Modelled seated on an oblong base; accompanied by a custom-made display base. 1.27 grams, 13 mm high (6.02 grams total, 33 mm including stand)



Ex Mrs Zimmermann Koutoulakis, December 1977. Ex R. Liechti (1934-2010) Geneva, Switzerland, collection between 1950-1990s.

Bastet was primarily a goddess of fertility, but she also represented festivities and intoxication, which formed part of the temple celebrations of her cult.

Multi-stranded designer necklace composed of beads of mainly annular and tubular types. 21 grams, 74 cm



Acquired before 1979. From the private collection of Mr F. A., South Kensington, London, UK; thence by descent 2014.

For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies.

With rounded rim, short neck, a raised carination to the shoulder, the body tapering to a flat base; usage wear. 172 grams, 69 mm high



Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display,

Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.