Egyptian Multi-Stranded Mummy Bead Necklace

With incised line detailing to the body, pierced longitudinally for suspension. 0.33 grams, 11 mm



Ex London and Home Counties collection, UK, 1920-1940. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Fly amulets are first attested during the Predynastic period (pre 3,100 BC). It is possible that they represented a wish to emulate the fly's renowned fecundity. These amulets were made in a variety of materials, including gold, and golden flies were used in the New Kingdom as an honorific award for military valour. No fewer than thirty-three fly amulets came from the tomb of the wives of Tuthmoses III.

Green-glazed with anatomical detailing, pierced through the outer edge. 48 grams, 73 mm



From an early 20th century collection London and Home counties, UK. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The heart scarab served to protect the individual by silencing the heart so it would not testify against its owner. Many heart scarabs, especially those intended for elite burials, were mounted with outstretched wings—symbols of divine protection and rebirth. These wings echoed the iconography of protective deities like Isis and Nephthys, enhancing the amulet’s power to safeguard the soul on its journey to eternal life. The pierced holes on the side of this example were likely for the attachment of such wings.

With a round face featuring large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners, the forehead has a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand



Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).