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LOT 0413
Egyptian Mixed Scarab Collection
2ND-1ST MILLENNIUM B.C.
1/2 - 7/8 in. (19.5 grams total, 14-23 mm).
Comprising (from left to right and top to bottom): 1) a scarab with an oval border containing, on either side, a maat feather, rearing cobra, and Dual Crown flanking a central column composed of ‘r’–‘n’–‘r’- sa (x2)-ka-neb signs; 2) a scarab with an oval border containing the throne name of pharaoh Amenhotep III (Neb-Maat-Re); 3) a scarab with an oval border containing a seated deity holding an ankh sign, facing sa, water, and neb signs; 4) a scarab with an oval border containing a running ibex surrounded by foliage; 5) a scarab with partially preserved design that gives the throne name of pharaoh Akhenaten (Nefer-kheperu-Re); 6) a scarab with an oval border containing a viper, duck and nefer signs. [7]
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. 1) Ben-Tor, D., Scarabs, Chronology, and Interconnections: Egypt and Palestine in the Second Intermediate Period, Fribourg/Göttingen, 2007, pl. 56, no. 44, for a design incorporating the same three-sign border motif and a central sign group column; 2) Petrie, W.M.F., Scarabs and Cylinders with Names, London, 1917, pl. XXXIV, nos. 87-88, for the same design; 3) Newberry, P.E., Catalogue général des antiquités égyptiennes du Musée du Caire N° 36001-37521, Scarab-shaped Seals, Cairo, 1907, pl. XIV, no. 36571, for a motif using a horizontal sa sign; 4) Matouk, F.S., Corpus du scarabée égyptien. Vol. 2: Analyse thématique, Beirut, 1976, p. 387, no. 711, for a similar motif; 5) Petrie, W.M.F., Scarabs and Cylinders with Names, London, 1917, pl. XXXVI, no. 25, for comparable arrangement of signs making the name; 6) Newberry, P.E., Catalogue général des antiquités égyptiennes du Musée du Caire N° 36001-37521, Scarab-shaped Seals, Cairo, 1907, pl. VIII, no. 36426, for a similar design theme.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Green Glazed Faience Amulet of Nephthys
Late Period, 26th Dynasty, circa 664-525 B.C.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
Depicting the goddess Nephthys wearing the two hieroglyphic parts of her name (Neb(et)-Hut), with dorsal pillar and base. 2.68 grams, 37 mm
with B.M.S., Switzerland. Private collection, London, UK, acquired from the above on 14 September 1981. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Nephthys was a protective goddess linked to mourning, magic, and the afterlife. As the sister of Isis, she played a vital role in the funerary rites of Osiris. Amulets like this were placed on the deceased to invoke her protection and aid in rebirth. Typically made of faience or semi-precious stone, they were especially common in the Late Period. -
Phoenician Glass Bead Collection
6th-3rd century B.C. or laterEstimate: £1,200 - 1,700 (+bp*)
Opening Bid: £650
Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks. -
Egyptian Faience Scarab with Hieroglyphs
Late Period, 664-332 B.C.Sold for (Inc. bp): £211
Blue-glazed faience scarab beetle with detailed features; the underside is decorated with a recumbent jackal above a seated figure in an attitude of praise before two hieroglyphs, along with a slim neb sign below. 4.18 grams, 23 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
