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_900x900.jpg "Egyptian Marble Head of a Queen")
_200x200.jpg "Egyptian Marble Head of a Queen")
.jpg "Egyptian Marble Head of a Queen")
LOT 0006
Egyptian Marble Head of a Queen
PTOLEMAIC PERIOD, 323-30 B.C.
4 in. (5 5/8 in.) (313 grams total, 10 cm high (14.3 cm high including stand)).
Modelled in the half-round in Hellenistic style with a stephane and centre-parted hair, serene facial features including hooded eyes and pert lips; mounted on a custom-made wooden display stand.
ProvenanceEx Hanna Saba collection, Ambassador to Egypt-USA-France (1909-1992).
Private European collection.
Accompanied by an academic report by Dr Raffaele D'Amato.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12083-218194.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Walker S., Higgs, P., Cleopatra Regina d’Egitto, Milano, 2000; Walker, S., Higgs, P., Cleopatra of Egypt, from History to the Myth, London, 2001; for discussion see Berman, L.M., The Cleveland Museum of Art Catalogue of Egyptian Art, New York, 1999; Andrews, C., van Dijk, J., Objects for Eternity: Egyptian Antiquities from the W. Arnold Meijer Collection, Mainz am Rhein, 2006.
FootnotesThe head is similar to various portraits of Ptolemaic queens, some of them identified as belonging to the famous Berenice II (246-222 B.C.), some others to Cleopatra VII Philopator (69-30 BC), the lover of Julius Caesar, the spouse of Mark Anthony and the last Queen of Egypt. The analogies with Berenike II’s portrait are noteworthy, especially with the portrait in the Cairo Museum (inv.JE 39517): the diadem and its position on the top of the head, similar physical features, and similar roundness of the cheeks.
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LOT 0006
Egyptian Marble Head of a Queen
Estimate £1,800 - 2,400€2,090 - 2,780 (for guidance only)$2,430 - 3,240 (for guidance only)
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Egyptian Mixed Scarab Collection
Mostly Late Period, 664-332 B.C.Estimate: £500 - 700 (+bp*)
Opening Bid: £250
Comprising: three faience scarabs with detailed bodies and hieroglyphs on the underside; one carnelian scarab with plain base; one scaraboid with hieroglyphs to the underside. 22.75 grams total, 15-28 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Silver Fly Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £78
With linear detailing to the body, raised eyes, pierced through the head for suspension. 0.82 grams, 17 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Egyptian artists often depicted fly whisks with pharaohs and officials, suggesting flies were just nuisances. In reality, Egyptians valued flies for their speed and persistence. Small fly amulets appeared around 3200 B.C. in Naqada II burials, gaining popularity and varying materials during the New Kingdom, including gold, silver, lapis lazuli, carnelian, amethyst, faience, and gemstones. These amulets were thought to protect against insect bites and troublesome creatures via apotropaic magic and possibly symbolised fecundity. Pharaohs awarded gold fly-shaped pendants to honour soldiers' bravery in battle. -
Egyptian Silver Bastet as Seated Cat Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £715
Seated figure of a cat with pointed ears mounted on a rectangular base with a rounded end; suspension loop on the back. 0.34 grams, 8 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets offered the wearer the goddess's protection. Her name means ‘she of the bast [ointment jar],’ which may have contained a substance favoured by or exclusive to royalty. Originally, Bastet was depicted as a woman with the head of a lioness, but by the late New Kingdom, she was usually shown with a cat's head. She is sometimes portrayed with kittens, emphasising her maternal role as a fierce protector of offspring.
