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LOT 0479
Egyptian Limestone Relief with Bound Asiatic Captive
NEW KINGDOM, 19TH DYNASTY, CIRCA 1250 B.C.
14 3/4 in. (14.5 kg, 37.5 cm high).
Sub-rectangular with keyhole-shaped aperture to the lower right edge; low-relief figure in profile wearing a tunic with circular neckline, bobbed hair swept behind the ears, sharp facial features with short goatee beard; bands of vertical fluting.
ProvenanceAcquired 1970s-1996.
Property of a North American collector.
London collection, 2016.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 11830-207550.
See Spalinger, A.J., Historical Observations on the Military Reliefs of Abu Simbel and Other Ramesside Temples in Nubia, in The Journal of Egyptian Archaeology Vol. 66, 1980; see also a similar image of a Syrian prisoner from the temple of Ramesses III at Tell el Yahudiyeh, in Caubet, A., Egyptian & Near Eastern Faience at the Louvre, in Minerva, September/October 2005, pp.8-10, fig.7.
FootnotesThe features and hairstyle of the figure resemble closely those of Asiatic captives shown on the outer wall of the temple of Ramesses II at Abu Simbel, Egypt. It is likely that the Egyptian artists from the time of Thutmose III onwards had frequent opportunities to observe the foreigners who came, or were brought into Egypt. It is likely that the Egyptian artists were interested in differentiating the various peoples encountered by the armies on their campaigns northward during the New Kingdom.
The remains of a circular aperture behind the figure probably indicates that the slab was re-used as a grindstone or a door pivot in ancient times.
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AUCTIONS:
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LOT 0479
Egyptian Limestone Relief with Bound Asiatic Captive
Sold for (Inc. bp): £5,200
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Egyptian Blue-Glazed Faience Blue Lotus Chalice
New Kingdom-Third Intermediate Period, circa 1504-935 BCEstimate: £10,000 - 14,000 (+bp*)
Opening Bid: £5,000
With a tall, flaring cup rounded at the base, attached to a short stem supported on a flared foot; the outside of the cup decorated with petals modelled in relief and a ribbed rim; the stem and foot plain; some restoration. 126 grams, 16 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12099-214088.
Faience chalices shaped like the flowers of the blue lotus (Nymphaea caerulea) first appeared in the 18th Dynasty. The blue lotus chalices were believed to have been used for cultic or votive purposes in temples or in rituals offered to the dead. Known as 'Seshen' by the ancient Egyptians, the blue lotus was a symbol of solar concepts associated with rebirth, probably because its flowers opened in the morning and closed at night. Hence, it is not surprising to find that the lotus was prominently featured in ancient Egyptian funerary art, particularly in banqueting scenes honouring the deceased, and in bouquets that adorned the coffin and bier of the deceased. It is also believed that the flower petals were used to make perfume, and that the ancient Egyptians took advantage of the lotus's narcotic properties. The extracted essence was added to wine to enhance its pleasurable effects, as depicted in banqueting scenes with intoxicated guests. -
Egyptian Gold Bird Amulet
Late New Kingdom, 1070-900 B.C.Sold for (Inc. bp): £390
Modelled in the round with claws extended. 0.88 grams, 11 mm
From an early 20th century French collection. -
Large Egyptian Stone Hieroglyphic Scarab for Amenhotep III
New Kingdom, 1386-1349 B.C.Estimate: £600 - 800 (‡+bp*)
Opening Bid: £300
Naturalistically modelled with detailing to the upper body and legs; damaged base with the throne name 'neb-maat-re' of Amenhotep III in cartouche and the god's name Amun-Re below; pierced for suspension. 41 grams, 44 mm
Ex R. Liechti (1934-2010) Geneva, Switzerland, collection between 1950-1990s.