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LOT 0497
Egyptian Limestone 'Floral' Inlay Group
ROMAN PERIOD, 30 B.C.-323 A.D. OR EARLIER
1/2 - 3/4 in. (35 grams total, 14-18 mm).
Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif. [20, No Reserve]
ProvenanceFrom a central London ADA dealership, 1980-1990.
FootnotesFlowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Faience Beaded Mummy Mask with Sons of Horus
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £358
Restrung netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face-mask with false beard, a scarab with extended wings below, the 'Four Sons of Horus’ beneath the scarab, joined together with areas of open netting of tubular beads; restrung with some later beads. 72 grams, 26 cm
Ex Mariaud de Serres, Paris, France, 1990s. From a London, UK, collection.
The Four Sons of Horus were deities responsible for protecting the internal organs of the deceased. Here, on the left, we can see the jackal-headed Duamutef, who protected the stomach, followed by the falcon-headed Qebehsenuef, protector of the intestines, then the human-headed Imsety, who protected the liver and, finally, the baboon-headed Hapy, protected the lungs, on the right. -
Egyptian Silver Bastet Cat Goddess
Late Period, 664-332 B.C.Estimate: £700 - 900 (‡+bp*)
Opening Bid: £350
Modelled seated on an oblong base; accompanied by a custom-made display base. 1.27 grams, 13 mm high (6.02 grams total, 33 mm including stand)
Ex Mrs Zimmermann Koutoulakis, December 1977. Ex R. Liechti (1934-2010) Geneva, Switzerland, collection between 1950-1990s.
Bastet was primarily a goddess of fertility, but she also represented festivities and intoxication, which formed part of the temple celebrations of her cult. -
Egyptian Alabaster Kohl Jars
New Kingdom, circa 1550-1070 B.C.Estimate: £1,500 - 2,000 (+bp*)
Opening Bid: £556
The larger with squat profile, slight flare to the foot, carinated shoulder and small rounded rim; the smaller with wide flat rim, round shoulder and body tapering to a flat base. 310 grams total, 43-61 mm high
Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display, the larger kohl jar is clearly visible on a 1976 family photo. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12197-220887.
Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.