Egyptian Limestone 'Floral' Inlay Group

Carved with lateral triangular lugs and ribbed bale. 4.6 grams, 24 mm



From an early 20th century collection.

According to ancient Egyptian beliefs, the heart (ib) was considered to be the centre of intelligence, emotions, and behaviour. The heart was also believed to store an individual's memories. During the Weighing of the Heart ceremony in the afterlife, the heart could speak up for the deceased and account for their lifetime of actions before Osiris. For this reason, heart amulets were placed on the mummy to safeguard the organ and ensure a favourable outcome during judgment.

With rounded lip, and oval body slightly tapering to a flat base. 517 grams, 11.5 cm high



Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display.

Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.

Modelled in the half-round with rounded facial features, lappet wig, false beard and crossed arms holding a pick and a hoe. 18 grams, 78 mm



Ex H. Norry collection, 1980s-1990s.

One of the primary purposes of shabti figures was to carry out heavy manual tasks on behalf of a person in the afterlife, and they were often depicted with necessary implements in their hands, such as baskets, picks, and hoes. Over time, the number of shabtis in a standard elite burial increased, from one in the Eighteenth Dynasty to several in the Nineteenth Dynasty, to one for every day of the year by the Third Intermediate Period. The high number of shabtis remained a feature in the Late and Ptolemaic Periods.