Egyptian Heart Scarab Group

With hatched detailing to the body and wings. 1.62 grams, 17 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Considering that Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were merely a nuisance. However, the Egyptians held flies in high regard for their speed, quick reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, around 3200 B.C. These amulets gained popularity, and the materials used to make them varied during the New Kingdom. They were crafted from various materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were believed to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even symbolised the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and persistence of soldiers in battle.

Carved in the round, the nude standing figure of the god sporting a solar disc and uraeus headdress, wearing a sidelock, and holding a lotus flower, accompanied by an integral dorsal pillar and base; one arm missing. 15.26 grams, 78 mm



Ex Thomas collection, UK, 1980s-1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Harpocrates is the Greek rendering of the Egyptian Hor-pa-khered, which translates as ‘Horus the Child’. This designation refers to Horus as the divine infant of Isis and Osiris. His nudity represents youth and purity. The sun disc and lotus flower symbolises divine rebirth and solar renewal. The sun disc connects him to Ra and the daily cycle of rebirth, while the lotus—opening with the sunrise—emphasises creation and emergence from chaos. Together, these elements express triumph over death and the promise of eternal life.

Housed in five linen-covered boxes, covering Tutankhamun furniture, Tombs of the Nobles, Lahun Hawara, Philae, and Nubia, etc. 4.1 kg total, 26.5 x 16.5 x 6.5 cm each box



Property of archaeologist Stephanie Gee, N.W. London, UK, 1960s-1980s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Stephanie Gee was a prominent archaeologist who took part in several expeditions in Egypt. She was a trusted assistant to the British-Australian archaeologist Veronica Seton-Williams, who excavated in Egypt, Britain, and the Near East. Stephanie also took part in the Tell El-Farâ'în expeditions of 1965-1968, and assisted Seton-Williams with preparing the 1966 expedition report. Their collaboration continued and Stephanie helped with the manuscript of Seton-Williams’ book ‘The Road to El-Aguzein’, a narrative account of her life that was first published in 1988.