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LOT 0039
Egyptian Green Glazed Steatite Syncretic Amulet of Mut
THIRD INTERMEDIATE PERIOD, CIRCA 1069-735 B.C.
2 3/8 in. (22.6 grams, 61 mm).
Modelled in the round, formed as the goddess standing before a high-backed throne cradling the head of a standing child to her chest; the goddess with tiered double-crown and tripartite wig; throne with low-relief figure of the lioness-headed goddess Sekhmet to the rear with spread wings forming the arms of the chair.
Provenancewith Jean-Phillipe Mariaud de Serres, Paris, France.
Private collection, London, UK, acquired from the above in 1992.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12633-235083.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Daressy, G., Catalogue général des antiquités égyptiennes du Musée du Caire N° 38001-39384 Statues de divinités, Cairo, 1906, pl. LXIII (39.374), for a similar example in the Cairo Museum.
FootnotesMut was a prominent mother goddess in ancient Egyptian religion, associated with creation, motherhood, and the sky. She was the consort of the god Amun and the mother of Khonsu, forming the Theban triad with them in Thebes. Mut's name ("mother" in ancient Egyptian), reflects her role as a divine mother and patroness of motherhood. Sekhmet was revered as a powerful and fierce protector. Her presence was believed to ward off evil and safeguard the people from harm. In ancient Egyptian mythology, Sekhmet was also a manifestation of Hathor, another powerful birth goddess.
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LOT 0039
Egyptian Green Glazed Steatite Syncretic Amulet of Mut
Estimate £2,500 - 3,500€2,900 - 4,060 (for guidance only)$3,380 - 4,730 (for guidance only)
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Egyptian Blue Amulet of Amun
Late Period, 26th Dynasty, circa 664-525 B.C.Estimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
The god modelled seated on a throne with a dorsal pillar, hands resting on his knees, wearing a short kilt and a two-plume feather crown; mounted on a wooden stand. 15.75 grams total, 71 mm including stand
with Charles Ede Ltd, London, UK. Private collection, London, UK, acquired from the above on 12 July 1994. Accompanied by a copy of the Charles Ede invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12632-235078. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The amulet of the god Amun served both religious and protective purposes in ancient Egypt. Amun, a major deity associated with creation, kingship, and hidden power. Wearing an amulet bearing Amun’s image or name was believed to invoke his divine protection, grant strength, and confer favour or legitimacy. Such amulets were also placed among burial goods to ensure the deceased was protected and guided in the afterlife. -
Egyptian Pre-Dynastic Greywacke Palette
Predynastic Period, Naqada III, circa 3300–2960 B.C.Sold for (Inc. bp): £468
Circular in plan with smoothed faces, pierced through the edge. 238 grams, 13.3 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Palettes were utilitarian objects used in the Predynastic Period to grind and mix mineral-based eye pigments (including ochre, malachite, and haematite). Greywacke cosmetic palettes were easily carved in various shapes and sizes, including zoomorphic representations and geometric forms. The symbolism of this circular palette may be connected to the sun disc, which featured prominently in ancient Egyptian culture. The palette was so significant in Predynastic society that purely ceremonial versions, often impractically large for their original purpose, were produced for use in temple rituals. The most famous is the highly decorated Narmer Palette discovered at Hierakonpolis. -
Egyptian Glazed Faience Shabti Collection
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £312
Comprising five mummiform figures in different colours, each with a false beard and wearing a lappet wig. 54 grams total, 46-91 mm
Acquired on the UK art market before 2000. Property of an Essex, UK, gentleman. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Shabti figures were created to perform heavy manual tasks on behalf of a person in the afterlife. The body of a shabti typically resembled a mummy from the neck down and was often depicted holding tools such as baskets, mattocks, and hoes. Over time, the number of shabtis in a standard elite burial increased, so that from the Third Intermediate Period onward, it became common to have at least 401 figurines, comprising 365 workers, one for each day of the year, plus 36 overseers, one for every ten workers.
