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LOT 0008
Egyptian Green Glazed Hieroglyphic Shabti
LATE PERIOD, 664-323 B.C.
5 1/8 in. (123 grams total, 13 cm high including stand).
Modelled mummiform with arms crossed over the chest, holding pick and hoe, a column of hieroglyphs with owner and mother's names running vertically down the front of the body, standing on a plinth with blank pillar to reverse; mounted on a wooden display base. [No Reserve]
ProvenanceGifted by Herbert Parsons (1870-1940) to his grandson, James Gibson (1926-2013).
Inherited by the vendor and her brother, from their grandfather James Gibson.
Cf. The Metropolitan Museum, New York, accession number 03.6.3, for a comparable shabti of this period.
FootnotesThe owner of this shabti (name unclear) was a Hem-Ka priest of Osiris.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Framed Egyptian Cartonnage Panel with Hieroglyphic Inscription
Ptolemaic or Roman Period, after 305 B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £4,444
Tongue-shaped decorative panel with segmented borders; above, funerary scene with the deceased's mummy on a leonine bier, flanked by the attending goddesses Isis and Nephthys; the deceased's Ba-bird hovering above the body; a central vertical band of semi-cursive hieroglyphic text flanked by six panels containing figures of the Four Sons of Horus and squatting knife-wielding guardians; mounted on board in a glazed frame. 2.17 kg total, 36.5 cm high
From a London, UK, collection. Exhibited in London in mid 2000s. Private gentleman's collection, J.L., Surrey, UK. Accompanied by a scholarly report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11772-203499.
This cartonnage comes from a set of mummy trappings, usually consisting of four to six individual pieces that were sown on the front of a mummified and bandaged body. The element here is an apron positioned on the body below a mask and collar and above a foot cover or stylised 'sandals'. The central band of inscription calls upon Osiris and Anubis to ensure a good burial for the deceased. -
Romano-Egyptian Gold Serpent Ring
Roman Period, 30 B.C.-323 A.D. or laterSold for (Inc. bp): £4,160
The hoop a double-coil with lateral loops, lentoid head, applied cell with beaded wire collar and inset green glass cabochon. 4.32 grams, 21.57 mm overall, 17.47 mm internal diameter (approximate size British M, USA 6, Europe 12.46, Japan 12)
From the Gustave Mustaki collection, Alexandria, Egypt. Acquired early to mid 20th century and exported under Egyptian government license. with Charles Ede 1990s. -
Coptic Textile Fragment Pair with Roman Soldiers
6th-7th century A.D.Sold for (Inc. bp): £468
In silk and wool from a tunic or wall hanging, comprising: (i) a corner fragment of a tapestry showing two soldiers hunting, one with a cross traced as deigmaton on the round shield and a semi-spatha (sword) in his right hand, both dressed in Gothic tunics of green and off-white colour, black trousers and red sagia, escaping animals surrounding; (ii) a long segment (clavus) with a hunting scene comprising a cavalryman in green mantle, off-white tunic, shield and sword, a Nubian servant in exomis and holding a shield, chasing wild horses, antelopes, goats and hares, a third horseman half-visible on the right. 8 grams total, 19-26 cm
Fair condition. Rare.
Hermann Historica, Germany, auction 67, part of lot 2025. Property of a Kensington gentleman. Accompanied by an academic report by Dr Raffaele D'Amato of which this is a part. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.10681-174371 (part).
Tabby technique on linen and wool. It is highly probable that this tapestry was part of a tunic decoration, the clavus (ii) running vertically on the breast; the corner fragment (i) forming the lower hem of the tunic. The representation of military characters, the red colour of the background, and the hunting parties – often associated with military training– indicate the likelihood that these are fragments from the military tunic of a high-ranking officer.