Egyptian Green Glazed Faience Amulet of a Seated Sphinx

Comprising a cream-coloured crescent-shaped boat manned by a crew of seven oarsmen, each with a short black wig, their bodies painted in reddish-brown and wearing cream-coloured kilts; all with pivoting arms and with hands drilled to accept oars (now missing); an outline around the boat's deck and a net pattern at the prow and stern in red; a portion of an inward slanting stern post remains, with traces of another at the prow; the oarsmen re-affixed. 1.29 kg, 41.5 cm wide



Acquired in the 1960s. From the collection of the late Egyptologist Surgeon Commander P.H.K. Gray RN. From a Surrey, UK, collection. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11943-209563. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Models of various boat types were sometimes provided for the same burial. For the different types see Winlock, H.E., Models of Daily Life in Ancient Egypt from the Tomb of Meket-Re' at Thebes, Cambridge MA, 1955, pp.92-103.

Hollow-formed representation of a cartouche featuring a figure of a kneeling offerant at one end; the cartouche inlaid with a panel incised with Setepenre Usermaatre and hieroglyphic text, along with two attachment holes on the underside. 118 grams, 78 mm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003 to present. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This type of object seems to have served as a symbolic offering. Its resemblance to the primary element of an incense burner may imply a ritual connection.

Showing a female figure as part of a procession, carrying a loaf of bread, a second offerant behind her; mounted on a custom-made display stand. 3.12 kg total, 42 cm high including stand



From the estate of the late Professor Dr E. Bernardo Streiff, Geneva; a distinguished collection of antiquities formed during the 1950s-1970s. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12625-236383. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Professor Dr E. Bernardo Streiff (1911-2001) was a prominent Swiss physician and academic based in Geneva, best known for his contributions to medical science as well as his deep passion for ancient art and antiquities. Over the course of several decades, particularly between the 1950s and 1970s, Professor Streiff assembled a highly regarded private collection of antiquities, reflecting both scholarly discernment and aesthetic sensitivity. His interests focused on the art and material culture of the ancient Mediterranean, with a particular emphasis on Greek, Etruscan, and Roman objects. A connoisseur guided by academic rigour, Dr Streiff maintained close ties with museums, galleries, and archaeological experts of his time. Many pieces from his collection were acquired from leading European dealers and fairs, and are notable for their quality, provenance, and condition. Following his passing, objects from the Streiff collection have appeared in respected sales and exhibitions, recognised for their integrity and the refined eye of the collector behind them.