Egyptian Green-Blue Glass Inlay of the Horus Falcon

The scarab with lightly incised anatomical detailing, the underside with a central cartouche flanked by two rearing crowned uraei, a pair of falcons standing above the cartouche facing a smꜣ hieroglyph symbolising union (of the two lands, Upper and Lower Egypt); set into a later gold swivel ring. 4.34 grams, 26.44 mm overall, 15.68 mm internal diameter (approximate size British J 1/2, USA 5, Europe 9.32, Japan 9)



with Bonhams, London, UK, 21 October 1999, no.36. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12370-226696. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Modelled seated on a tongue-shaped base, suspension loop on the back. 0.53 grams, 8 mm



From an early 20th century French collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.

The S-curved body resting on a tongue-shaped based, detailed hood, and delicate details to the head of a lioness; wrapped in a gold frame with suspension loop. 2 grams, 18 mm



Private collection of Mr K.A. Private collection, Europe, 26 June 2009. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12590-232325. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

This amulet likely represents a goddess, either Sekhmet or Wadjet. Sekhmet is typically depicted as a lioness or lion-headed woman, while Wadjet appears in the form of a cobra. The lion-headed cobra form can be an allusion to the uraeus, worn on the crowns of royalty and deities for protection.