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LOT 0464
Egyptian Gold Uraeus Amulet
LATE NEW KINGDOM, 1279-1070 B.C.
5/8 in. (1.1 grams, 17 mm).
Depicting a rearing hooded cobra with curled body, small loop above and below.
ProvenanceFrom an early 20th century French collection.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Egyptian Limestone Floral Inlay Group
Roman Period, 30 B.C.-323 A.D. or earlierSold for (Inc. bp): £59
Group of discoid inlay plaques or gaming counters, crinoids with cinquefoil motif; some fragmentary. 49 grams total, 6-17 mm
From a central London ADA dealership, 1980-1990. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Flowers were symbolic of rebirth due to the daily reopening of their petals after nightfall. As a result, they were widely used in domestic settings, religious and funerary contexts, and as adornments. Similar rosette discs, like those recovered from the Ramesside Period palace at Qantir, were used as decorative elements in royal palaces. -
Phoenician Alabastron with Handles
6th-5th century B.C.Sold for (Inc. bp): £1,053
Comprising a slender alabaster piriform body and two lateral lug handles, conical neck with broad everted rim. 650 grams, 19.7 cm high
Giusfredi collection, 1980s. Swiss private collection, acquired May 1999. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Phoenician Glass Bead Collection
6th-3rd century B.C. or laterEstimate: £1,200 - 1,700 (+bp*)
Opening Bid: £650
Comprising a group of crumb-decorated polychrome oblate beads and a centrepiece pendant formed as a stylised bearded head. 179 grams total, 12-42 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Phoenicians, renowned seafarers and traders, were also skilled glassworkers. They produced a wide variety of glass beads using core-forming and winding techniques, with vivid colours and elaborate designs that reflect both technical mastery and cross-cultural influence. Among the most iconic Phoenician beads are glass 'head' beads, crafted in the form of stylised human or mythological faces. Typically, they feature exaggerated facial details like bulging eyes, large noses, beards, and headdresses, often with expressive or comic features. They were possibly worn as amulets to ward off evil or attract protection, though they may also represent deities, ancestors, or foreigners. These beads often incorporate Egyptian, Greek, and Near Eastern stylistic elements, reflecting the Phoenicians’ extensive trade networks.
