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_900x900.jpg "Egyptian Gold Fly Amulet")
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LOT 0435
Egyptian Gold Fly Amulet
LATE PERIOD, 664-332 B.C.
5/8 in. (1.62 grams, 17 mm).
With hatched detailing to the body and wings.
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Andrews, C., Amulets of Ancient Egypt, London, 1994, fig. 48, for similar examples of gold flies.
FootnotesConsidering that Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were merely a nuisance. However, the Egyptians held flies in high regard for their speed, quick reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, around 3200 B.C. These amulets gained popularity, and the materials used to make them varied during the New Kingdom. They were crafted from various materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were believed to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even symbolised the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and persistence of soldiers in battle.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Bronze Statuette of Isis Seated with Young Horus
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £130
Isis enthroned wearing a cow's horn headdress with a solar disc, suckling the infant Horus on her lap. 39 grams, 10.7 cm
From the property of a lady since the early to mid 20th century. From the private collection of Mr M.L. since circa 2005. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
In ancient Egyptian mythology, Isis was the sister-wife of Osiris and the mother of the sky god Horus. She is associated with aspects of fertility and motherhood and is often depicted in various artworks seated in a nursing pose with her son Horus on her lap, as here. -
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Egyptian Gold Fly Amulet
Late Period, 664-332 B.C.Sold for (Inc. bp): £650
With hatched detailing to the body and wings. 1.62 grams, 17 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Considering that Egyptian artists often depicted fly whisks in the hands of pharaohs and high officials, one might assume that flies were merely a nuisance. However, the Egyptians held flies in high regard for their speed, quick reactions, and persistence. Small fly amulets first appeared in burials during the Naqada II Period, around 3200 B.C. These amulets gained popularity, and the materials used to make them varied during the New Kingdom. They were crafted from various materials such as gold, silver, lapis lazuli, carnelian, amethyst, faience, and bone. These amulets were believed to protect against insect bites and to ward off troublesome flying creatures through apotropaic magic. Some believe they may have even symbolised the fly’s fecundity. Additionally, pharaohs would bestow gold fly-shaped pendants as military awards to honour the bravery and persistence of soldiers in battle. -
Egyptian Alabaster Kohl Pot with Later Hieroglyphs
Second Intermediate Period, 1650-1550 B.C.Sold for (Inc. bp): £195
Comprising a squat piriform body with a wide everted rim, a band of later hieroglyphs beneath the shoulder: ḳmꜢ.t n bꜢw ı͗wnw nfrw.s (You have gathered the souls (i.e. divine powers) of Heliopolis—her beauties). 208 grams, 55 mm high
Ex late London, UK, gentleman, 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The inscription on what is a cosmetic vessel could be interpreted as “You acquire the powers of Heliopolis, source of her beauty”; “her beauties” likely references either the woman using the vessel or perhaps the divine beauty imparted by the contents.
