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LOT 0018
Egyptian Gold Bastet Seated Cat Amulet
LATE NEW KINGDOM-THIRD INTERMEDIATE PERIOD, CIRCA 1069-900 B.C.
1/4 in. (0.51 grams, 8 mm).
Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back.
ProvenanceEx French collection, early 20th century.
From the collection of a late Japanese gentleman, 1970s onwards.
Cf. Andrews, C., Amulets of Ancient Egypt, London, 1994, item 29(c).
FootnotesThe goddess Bastet was believed to be the daughter of the sun god and was shown with the features of a lion up until about 1000 B.C. when she was first portrayed as a cat or human with a cat head. As the daughter of Ra she was associated with the rage inherent in the sun god's eye which was considered to be his instrument of vengeance. Her development into a cat goddess occurred during the New Kingdom but did not fully develop until the Late Period. She was still associated with the destructive power of the sun and was shown on the prow of the solar boat, decapitating the evil serpent Apophis in the Book of the Dead. The maternal, protective and hunting characteristics of the cat are obvious in Bastet and she was seen as a protector of pregnant women and young children. In the Pyramid Texts she is invoked by the deceased king to act as his protector and to help him reach the sky to join the sun god; the king proclaims that Bastet is his mother and nurse. Like her counterpart, Sekhmet, Bastet has an aggressive side and, in a text from Karnak, Amenhotep II described his enemies being slaughtered like the victims of Bastet. The goddess had a shrine at Karnak, where she is known as the 'Lady of Asheru' which aligns her closely with the goddess Mut, the consort of Amun-Ra. Her most famous shrine was in the north-east Delta region, at Bubastis, and was known as Per-Bastet or 'the House of Bastet.' Herodotus describes the festival of Bastet as one of the most elaborate in all of Egypt and identifies her with the Greek Artemis. Cemeteries of cats have been excavated at Bubastis and at Saqqara and Memphis.
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Egyptian Alabaster Trussed Duck
Old Kingdom, 6th Dynasty, circa 2345-2181 B.C.Estimate: £7,000 - 9,000 (+bp*)
Opening Bid: £3,500
Carved in the round with the head and neck laid backwards along the spine; mounted on a custom-made stand. 890 grams total, 10 cm wide including stand
Acquired before 1970. Private French collection. with Bonhams, New Bond Street, London, 29 April 2009, lot 58. Ex Middle Eastern royal family, living in the UK, 2013-2017. Accompanied by a copy of a French cultural passport no.099505. Accompanied by a copy of an Art Loss Register certificate, no.S000149104. Accompanied by a copy of the relevant Bonhams catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12942-245247.
In ancient Egypt, the duck (actually the Egyptian goose) was considered a sacred and very popular animal, often depicted in art and associated with symbolic meanings. It was a common bird in the Nile Valley and considered a symbol of fertility, life, and family, which is why it frequently appeared in scenes of daily life and rituals, and in the artworks. -
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New Kingdom, 1550-1292 B.C.Estimate: £6,000 - 8,000 (+bp*)
Opening Bid: £3,250
Comprising a round-section swivel ring set with a carved Apis bull depicted recumbent with its head turned to right. 4.71 grams, 27.98 mm overall, 19.07 mm internal diameter (approximate size British N, USA 6 1/2, Europe 13.72, Japan 13)
Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12939-245988.
The Apis bull was a sacred animal in ancient Egyptian religion, worshipped as a living manifestation of the god Ptah and later associated with Osiris and Ra. Regarded as an intermediary between the gods and humanity, the Apis bull was chosen based on specific physical characteristics, such as a black coat with unique white markings. Once identified, it was housed in a grand temple in Memphis, where it was treated with great reverence, adorned with jewellery, and participated in important religious ceremonies. Upon its death, the bull underwent elaborate mummification and burial rituals, symbolising its transition to the afterlife and its continued divine role. The cult of the Apis bull highlights the Egyptians’ deep connection to animals as symbols of divine power and their belief in the interconnectedness of the mortal and spiritual worlds. -
Egyptian Coptic Textile Fragment Group
Circa 6th-7th century A.D.Sold for (Inc. bp): £211
Comprising: a large fragment of a segmentum in white and red linen and wool, S torsion, borders embroidered with meanders, the central scene representing running hares; a purple on linen fragment of a clavus representing a dancer, borders with geometric decoration; and a large fragment of a tablion, ornamented with images of fishes, birds and vegetal patterns in red, green, yellow and dark blue wool, the central tondo missing. 66 grams total including package, 14.3-20.3 cm
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