Loading, please wait...
Details
LOT 0049
Egyptian Glass Heart Scarab
LATE PERIOD, 664-332 B.C. OR LATER
1 in. (6.49 grams, 24.6 mm).
Modelled in the round with ribbed loop to the underside, carapace and leg detailing.
Provenance
Ex London and Home Counties collection, UK, 1920-1940.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Literature
Cf. Ben-Tor, D., The Scarab: A Reflection of Ancient Egypt, Tel Aviv, 1993, pp. 76-77, nos. 1-15, for examples of this type of scarab.
CONDITIONVETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Egyptian Faience Bead Necklace String
Late Period, 664-332 B.C.Sold for (Inc. bp): £59
Composed of blue tubular beads interspersed with brown annular beads; restrung. 8.44 grams, 90 cm
Acquired on the UK art market, circa 1980. Property of an East London, UK, collector. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Mummy Shroud Section with Hieratic Text
Late-Ptolemaic Period, circa 480-30 B.C.Sold for (Inc. bp): £715
A narrow strip of woven linen textile featuring two lines of neatly written hieratic text in black. 3.74 grams, 40 cm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the fifth century B.C., mummy wrappings often feature hieratic script—a cursive form of Egyptian hieroglyphs used for daily and religious texts. These include excerpts from funerary works like the Book of the Dead, alongside prayers meant to protect the deceased in the afterlife. Often with vignettes, these texts were inscribed directly on linen strips during the mummification. Some bandages were notably long; one from Brussels, 6.2 cm wide, measures an incredible 26 metres. -
Egyptian Steatite Portrait of a Ptolemaic Prince
2nd-1st century B.C.Estimate: £3,000 - 4,000 (‡+bp*)
Opening Bid: £1,500
With a round face featuring large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners, the forehead has a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand
Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).