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LOT 0465
Egyptian Faience Shabti Group for Ha-bener-Re
LATE-PTOLEMAIC PERIOD, 664-30 B.C.
2 7/8 in. (16.4 grams total, 72 mm each).
Two mummiform shabtis from the same mould, wearing a lappet wig and false beard, and holding a pick, hoe, and miniscule seed bag; inscribed with a column of hieroglyphic text on the front repeating the opening dedication "The illuminated one, the Osiris" ( sḥḏ wsỉr), and another on the dorsal pillar giving the name of the deceased, possibly to be read as Ha-bener-Re (ḥꜢ-bnr-rꜤ), a Ka-priest (ḥm-kꜢ). [2]
ProvenanceFrom the collection of a gentleman, acquired on the London art market in the 1990s.
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AUCTIONS:
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Egyptian Faience Scarab
Late-Ptolemaic Period, circa 664-30 B.C.Sold for (Inc. bp): £176
Anatomical detailing on the carapace and head, underside with a sinuous line surrounding a hieroglyph; pierced longitudinally. 11.14 grams, 31 mm
From the collection of a gentleman, acquired on the London art market in the 1990s. -
Very Large Egyptian Expedition Lithograph of the Hypogees Papyrus Manuscript from Thebes
Early 19th century A.D.Sold for (Inc. bp): £117
Proof etching on laid paper of plate 67 from Vol.II of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. entitled Thèbes. Hypogées. Manuscrit sur papyrus. 233 grams, 110 x 67 cm
From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.
Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from an underground tomb chamber (hypogeum). The vignette in this scene depicts the weighing of the deceased's heart on scales before Osiris's tribunal. If the heart (on the left) did not balance with Maat (on the right), it would be devoured by Ammut, the fearsome creature seated on a shrine before Osiris. -
Egyptian Steatite Portrait of a Ptolemaic Prince
2nd-1st century B.C.Estimate: £2,500 - 3,500 (‡+bp*)
Opening Bid: £1,350
With a round face, large eyes, a narrow nose that broadens at the end, and full lips downturned at the corners; the forehead with a distinctive deep furrow above the brow; a narrow, twisted diadem encircling his wavy hair; mounted on a custom-made display stand. 84 grams total, 10 cm including stand
Private collection, Bern, Switzerland. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12631-236408.
The Greek hairstyle is a characteristic feature of Ptolemaic royal portraiture, as is the twisted diadem - a Greek interpretation of the Egyptian headband (the sšd) - which appears on several portrait heads of Ptolemaic boy-kings and princes. The distinctive furrow is intriguing, as it contrasts with the typically blemish-free physiognomy of most Ptolemaic royal sculpture. However, a similar furrow can be seen on the portrait head of a provincial governor from Dendera, dated to the 2nd century B.C. (Bothmer, B.V., Egyptian Sculpture of the Late Period 700 B.C. to A.D. 100, New York, 1960, pp. 144-143, pl. 112, nos. 301-302), which may indicate an artistic trend employed in high-status sculpture at that time. It has been suggested that small royal portrait heads, such as this example, may have served as votives. The lack of an Egyptian-style back pillar on this and similar pieces supports the possibility that they were inserted into statues made of different materials (Ashton, S.-A., Ptolemaic Royal Sculpture from Egypt, BAR International Series 923, Oxford, 2001, p.12).