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LOT 0001
Egyptian Faience Shabti for the Fourth Son of Ramesses II, Prince Khaemwaset
NEW KINGDOM, 19TH DYNASTY, 1279-1213 B.C.
4 5/8 in. (82.4 grams, 11.8 cm).
The mummiform figure in brownish-black and white faience with black detailing, wearing a round wig featuring a side-lock and a broad collar, the white face displaying eyes, eyebrows, nostrils, and a short beard in black; the arms crossed, and the white-glazed hands holding hoes; a slightly raised white-glazed frontal panel containing a column of hieroglyphic text reads: 'The Osiris, the Sem-Priest, the King's Son, Khaemwaset, True of Voice'.
ProvenanceFrom the private collection of George Ortiz, Geneva, Switzerland, since before 1981.
Received by gift from George Ortiz to the current owner at Mr Ortiz's Geneva home in the summer of 1981.
From the private collection of a UK gentleman since the early 1980s.
Identified by Professor A.M. Dodson BA, MPhil, PhD, FSA, Department of Anthropology & Archaeology, University of Bristol.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Bovot, J-L., Les serviteurs funéraires royaux et princiers de l’Ancienne Égypte, Paris, 2003, pp.230-301, for the Louvre collection of Khaemwaset shabtis.
FootnotesKhaemwaset was the fourth son of Ramesses II, born to Queen Iset-Nofret. In addition to serving as the Sem-priest of Ptah at Memphis from an early age, he held various titles related to the Memphite cult, including High Priest of Ptah. The side-lock featured on all of Khaemwaset's shabtis is associated with his priestly role. Many shabtis of the prince are known, with the largest single group coming from the Serapeum at Saqqara; however, others have been found in numerous other locations. Since Khaemwaset's tomb has yet to be discovered, it appears that most of the known shabtis may have served as votive offerings in the sacred areas of the Memphite necropolis. His faience shabtis come in various colours, including green, blue, white, and black, and range in size from just under 10 cm to 15 cm in height. The distinctive glaze combination of this example, featuring a raised white-glazed panel contrasting with the darker body colour, is also found on some other 19th Dynasty shabtis (Cf. Janes, G., The Shabti Collections 3: Rochdale Arts & Heritage Service, Cheshire, 2011, pp.1-5 for those of Userhat from Sedment).
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LOT 0001
Egyptian Faience Shabti for the Fourth Son of Ramesses II, Prince Khaemwaset
Sold for (Inc. bp): £2,015
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Egyptian Blue Faience Scarab
Late Period, 7th-6th century B.C.Sold for (Inc. bp): £4,550
Comprising a crescentic plaque with central scarab modelled in the half-round, and lateral wings with hatched texturing; scarab with ribbing and other detailing; pierced in four places for attachment; accompanied by a custom-made stand. 22.3 grams, 10 cm wide (44 grams total, 10 cm wide including stand)
Acquired in the 1950-1990s. Mr C., Geneva, Switzerland. Private collection, Europe. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12592-232170. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Winged scarabs were thought to ensure the rebirth and regeneration of the deceased, making them popular funerary amulets. This is a particularly fine example of a rarer one-piece amulet, as they are usually made from three separate elements. -
Egyptian Mummy Shroud Section with Hieratic Text
Late-Ptolemaic Period, circa 480-30 B.C.Sold for (Inc. bp): £715
A narrow strip of woven linen textile featuring two lines of neatly written hieratic text in black. 3.74 grams, 40 cm
From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
From the fifth century B.C., mummy wrappings often feature hieratic script—a cursive form of Egyptian hieroglyphs used for daily and religious texts. These include excerpts from funerary works like the Book of the Dead, alongside prayers meant to protect the deceased in the afterlife. Often with vignettes, these texts were inscribed directly on linen strips during the mummification. Some bandages were notably long; one from Brussels, 6.2 cm wide, measures an incredible 26 metres. -
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Egyptian Limestone Relief
Late Period, 664-332 B.C.Sold for (Inc. bp): £2,080
A fragment featuring a low-relief depiction of a male head in profile with a shoulder-length duplex wig, the upper part intricately detailed with herringbone stripes and a fringed edge, transitioning into heavy curls at the lower part, sporting a short beard and a boldly carved ear with an indented lobe, drilled for a mounting peg. 1.95 kg, 26.5 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12626-234637. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
