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LOT 0001
Egyptian Faience Shabti for the Fourth Son of Ramesses II, Prince Khaemwaset
NEW KINGDOM, 19TH DYNASTY, 1279-1213 B.C.
4 5/8 in. (82.4 grams, 11.8 cm).
The mummiform figure in brownish-black and white faience with black detailing, wearing a round wig featuring a side-lock and a broad collar, the white face displaying eyes, eyebrows, nostrils, and a short beard in black; the arms crossed, and the white-glazed hands holding hoes; a slightly raised white-glazed frontal panel containing a column of hieroglyphic text reads: 'The Osiris, the Sem-Priest, the King's Son, Khaemwaset, True of Voice'.
ProvenanceFrom the private collection of George Ortiz, Geneva, Switzerland, since before 1981.
Received by gift from George Ortiz to the current owner at Mr Ortiz's Geneva home in the summer of 1981.
From the private collection of a UK gentleman since the early 1980s.
Identified by Professor A.M. Dodson BA, MPhil, PhD, FSA, Department of Anthropology & Archaeology, University of Bristol.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. Bovot, J-L., Les serviteurs funéraires royaux et princiers de l’Ancienne Égypte, Paris, 2003, pp.230-301, for the Louvre collection of Khaemwaset shabtis.
FootnotesKhaemwaset was the fourth son of Ramesses II, born to Queen Iset-Nofret. In addition to serving as the Sem-priest of Ptah at Memphis from an early age, he held various titles related to the Memphite cult, including High Priest of Ptah. The side-lock featured on all of Khaemwaset's shabtis is associated with his priestly role. Many shabtis of the prince are known, with the largest single group coming from the Serapeum at Saqqara; however, others have been found in numerous other locations. Since Khaemwaset's tomb has yet to be discovered, it appears that most of the known shabtis may have served as votive offerings in the sacred areas of the Memphite necropolis. His faience shabtis come in various colours, including green, blue, white, and black, and range in size from just under 10 cm to 15 cm in height. The distinctive glaze combination of this example, featuring a raised white-glazed panel contrasting with the darker body colour, is also found on some other 19th Dynasty shabtis (Cf. Janes, G., The Shabti Collections 3: Rochdale Arts & Heritage Service, Cheshire, 2011, pp.1-5 for those of Userhat from Sedment).
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LOT 0001
Egyptian Faience Shabti for the Fourth Son of Ramesses II, Prince Khaemwaset
Sold for (Inc. bp): £2,015
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Egyptian Limestone Relief Fragment with Female Figure
New Kingdom, 18th Dynasty, circa 1295 B.C.Estimate: £4,000 - 6,000 (‡+bp*)
Opening Bid: £2,000
Showing a female figure as part of a procession, carrying a loaf of bread, a second offerant behind her; mounted on a custom-made display stand. 3.12 kg total, 42 cm high including stand
From the estate of the late Professor Dr E. Bernardo Streiff, Geneva; a distinguished collection of antiquities formed during the 1950s-1970s. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12625-236383. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Professor Dr E. Bernardo Streiff (1911-2001) was a prominent Swiss physician and academic based in Geneva, best known for his contributions to medical science as well as his deep passion for ancient art and antiquities. Over the course of several decades, particularly between the 1950s and 1970s, Professor Streiff assembled a highly regarded private collection of antiquities, reflecting both scholarly discernment and aesthetic sensitivity. His interests focused on the art and material culture of the ancient Mediterranean, with a particular emphasis on Greek, Etruscan, and Roman objects. A connoisseur guided by academic rigour, Dr Streiff maintained close ties with museums, galleries, and archaeological experts of his time. Many pieces from his collection were acquired from leading European dealers and fairs, and are notable for their quality, provenance, and condition. Following his passing, objects from the Streiff collection have appeared in respected sales and exhibitions, recognised for their integrity and the refined eye of the collector behind them. -
Egyptian Faience Crocodile Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £2,600
Representing the god Sobek; detailed face and scales; standing on a rectangular plinth; pierced to the front for suspension. 13.4 grams, 74 mm
From the estate of the late Professor Dr E. Bernardo Streiff, Geneva; a distinguished collection of antiquities formed during the 1950s-1970s. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12629-236404. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Sobek is one of the most ancient and fascinating deities in the Egyptian pantheon. He is typically depicted as a crocodile or a man with the head of a crocodile, embodying various attributes related to the natural world, power, and protection. Sobek was mainly associated with water, fertility, and the Nile, along with strength and military prowess. His worship extends throughout much of ancient Egyptian history, and he was venerated not only as a force of nature but also as a god of healing, protection, and royal authority. His principal cult centres were situated in the Faiyum region, particularly the city of Crocodilopolis, and also at Kom Ombo in Upper Egypt. -
Egyptian Faience Duck Scaraboid with Hieroglyphs
Late Period, 664-332 B.C.Sold for (Inc. bp): £286
Modelled as a resting duck with its neck curved around the upper body, feather detailing on the wings, tail, and body, and delicately formed head; the underside features a baboon in a posture of adoration before an obelisk, wearing a lunar disc and crescent headdress, with a neb sign below. 2.82 grams, 19 mm
From the property of a London, UK, gentleman, 1970-2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Baboons were observed worshipping the rising sun with raised arms, a behaviour that Egyptians interpreted as divine reverence. The scarab's imagery symbolises cosmic harmony and sacred wisdom, with the baboon (a manifestation of Thoth in his lunar aspect) showing reverence to an obelisk (a symbol of the solar god, Ra). Thus, it blends moon and sun symbolism, embodying balance, cyclical renewal, divine order, and the interplay between knowledge (Thoth) and power (Ra). The neb sign indicates lordship or possession over all the celestial forces.
