Egyptian Faience Scarab Collection

A turquoise blue faience jar probably made in Roman Egypt, in a form similar to that of a Greek column krater, with a broad shoulder and rim, two angled strap handles with scalloped ends, band of raised scales to the shoulder, lotus leaves to the body and shoulder; restored. 2.2 kg, 21 cm wide

Fine condition, restored.

Acquired on the European art market mid 1990s. with Bonhams, Knightsbridge, 22 September 1998, lot 31. with Bonhams, Knightsbridge, 22 April 1999, lot 641. with Christie's, London, 18 October 2005, lot 10. Previously with Mansour Gallery, London W1. Property of a North West London gentleman. Accompanied by a copy of the relevant Christie's and Bonhams catalogue pages.

With textured carapace, bull-horned column to the reverse. 3.94 grams, 15 mm



From the property of the late Mr SM, London, UK, 1969-1999.

The very frequent discovery of scarabs in Eastern and Western Phoenician and Punic tombs is the most notable and evident document of the prestige that Egyptian magic had in the Phoenician world. The generalized adoption of the scarab, both in its symbolic language linked to the regenerative form of earthly or otherworldly life and in its function as a seal, identifies the extent of Egyptian influence on the Phoenician culture since its Syro-Palestinian origins.

Depicted nude in a dynamic pose with his legs apart and the weight of the body upon his right leg, standing in front of a two storey structure, probably an oven; his left arm raised and right arm extended in front of his torso and resting on the edge of the structure; the oven painted pink at the top and white at the bottom with an offering receptacle at floor level. 232 grams, 15 cm



Ex Dr Daniel Marie Fouquet (1859-1914), Cairo. with Pierre Berge & Associes, Auction, Archaeology 29 November 2014, no.193. Accompanied by a French cultural export permit, no.161028. Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a copy of the relevant pages in: Perdrizet, P., Les Terres Cuites Grecques d'Egypt de la Collection Fouquet, Nancy, 1921, where it is published. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12000-211884.

The image of the ‘Eros Baker’ is part of a wide production of Roman terracotta imitating Greek models, although in somewhat crude way. In the Roman age, designs tended to be commonplace and were often indifferent copies of Greek originals. However, the production of terracotta in Hellenistic Egypt continued without interruption and the most subjects of these votive statuettes (in this case probably a baker invoking the blessing of the god upon his activity) were religious, Eros being one of the favourites.