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LOT 0515
Egyptian Faience Mummy Bead Necklace with Bastet
LATE PERIOD, 664-332 B.C. AND LATER
3 1/8 in. (9.93 grams, 80 cm long).
Restrung necklace of tubular and annular beads with later pendant figure of Bastet as centrepiece. [No Reserve]
ProvenanceFrom a private Tyneside collection, formed since the early 2000s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Coptic Textile Fragment Group
Circa 4th-5th century A.D.Sold for (Inc. bp): £65
Comprising: an orbiculus in coarse linen and brown wool, S torsion, embroidered with the image of a stylised bird, surrounded by tondos ornamented with geometric embroidery, borders meander decorated; a similar fragment of double segmenta, embroidered with hares alternated to fishes. 9 grams total including package, 60-64 mm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
The iconography of this fragment is called "Nilotic," as it depicts plant and human elements linked to life on the Nile River. These images are very recurrent on Coptic textiles. Weavers created patterns that allowed them to reproduce these motifs on any type of fabric (curtains, tassels, clothing). -
Egyptian Turquoise Faience Shabti of Prince Khaemwaset
New Kingdom, Ramesside Period, 19th Dynasty, 1282-1225 B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £3,500
Wearing daily dress and carrying agricultural implements, with dark blue details including his short wig with side-lock, designating him as a Sem-priest of Ptah at Memphis, the text on the kilt naming him as 'Sem-priest and King's son Khaemwaset'; with round-topped back support, the reverse with two columns of hieroglyphs with part of the shabti formula: "He says: O shabti, if one counts, if one is reckoned to do all the works that are to be done there in the God’s land—now indeed obstacles are implanted therewith—as a man at his duties, ‘Here I am,’ you shall say when you are counted off to cultivate the fields, transport by boat the sand of the east to the west and vice versa; ‘Here I am,’ you shall say". 284 grams, 15.1 cm
With Barakat, Beverly Hills: reputed to be from the Omar Pasha Sultan collection, (1806-1871) but unpublished in the 1929 catalogue of the collection, nor in Aubert's 1976 article on the shabtis in the collection. Bonhams, London, 1 May 2013, no.282. Accompanied by copies of the relevant Bonhams catalogue pages. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12938-243536.
Prince Khaemwaset was the fourth-ranked son of Ramesses II and the second born to Queen Isetnofret. More is known about Khaemwaset than any other son of Ramesses II, attested by over 150 objects, ranging from statues to temple reliefs. He is traditionally regarded as the “first Egyptologist” for his restoration of monuments belonging to earlier kings, including the pyramids at Giza and Saqqara. Recent reassessment, however, suggests that some of these activities involved dismantling parts of ancient structures for reuse in his father’s temple constructions. -
Egyptian Coptic Textile Fragment Group
Circa 6th-7th century A.D.Sold for (Inc. bp): £208
Comprising a fragment of a clavus in white and purple linen and wool, S torsion, borders embroidered with pilasters, the central scene representing eagles alternating with geometric elements; a small fragment of another clavus, ornamented with running lions and fishes, borders with geometric patterns; a third fragment of a clavus, ornamented with vegetal patterns. 20 grams total including package, 6.1-15.6 cm
Acquired 1970s-1996. Property of a North American collector. London collection, 2016.
The clavi are realised in tapestry technique, and the one with prominent figures has a rounded end. They were part of a tunic decoration and the presence of the Imperial eagle, not a common pattern, could refer to a military tunic.