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LOT 0470
Egyptian Faience Mummy Bead Mask
PTOLEMAIC PERIOD, 332-30 B.C.
5 3/8 in. (42 grams, 13.5 cm).
A panel of small glazed composition beads in various colours representing a mummy face mask with false beard with netted border; restrung with some later beads.
ProvenanceEx Mariaud des Serres, Paris, France, 1990s.
LiteratureCf. Bienkowski, P., Tooley, A., Gifts of The Nile: Ancient Egyptian Arts and Crafts in Liverpool Museum, Liverpool, 1995, p.68 and pl.103, for an example still attached to a mummy.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Faience Beaded Sons of Horus Panel
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £130
Openwork restrung panel depicting Imsety, Hapy, Duamutef, and Qebehsenuef, the Four Sons of Horus with a winged scarab above; restrung. 21.4 grams, 12 cm
Ex Mariaud de Serres, Paris, France, 1990s. From a London, UK, collection.
Winged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration. The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the erect-eared jackal-headed Duamutef, who protects the stomach. Next is the falcon-headed Qebehsenuef, who protects the intestines. Then comes the human-headed Imsety, protector of the liver, and finally, the baboon-headed Hapy on the right, protector of the lungs. -
Egyptian Multi-Stranded Mummy Bead Necklace
Late Period, 664-332 B.C.Sold for (Inc. bp): £156
Multi-stranded designer necklace composed of beads of mainly annular and tubular types. 23 grams total, 66 cm long
Acquired before 1979. From the private collection of Mr F. A., South Kensington, London, UK; thence by descent 2014.
For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies -
Romano-Egyptian Statuette of Thoth in Baboon Form
Roman Period, 30 B.C.-323 A.D.Sold for (Inc. bp): £312
Carved hardstone figure of a Hamadryas Baboon (papio hamadryus), sacred to Thoth, crouching with his forepaws resting on his knees and wearing a segmented and banded hood and collar with elaborately carved textural detailing; face chipped and lower body absent. 243 grams, 10.6 cm
Ex Yorkshire, UK, collection, 1960s-1980s.
The baboon was considered an embodiment of the god Thoth. The animal was associated with both the sun and the moon, often depicted wearing a moon and crescent headgear. Together, these aspects symbolised the cycle of rebirth, as it was believed that the deceased travelled through the night and was reborn at dawn. Thoth was highly regarded for his connection to knowledge, healing, and writing. Scribes would wear a Thoth baboon amulet to ensure continued professional success. In the Roman era, Thoth became the 'primary pseudonymous authority for diverse priestly texts' (Frankfurter, D., Religion in Roman Egypt,New Jersey, 1998, p.240). As some religious centres with animal cults were maintained in the Roman Period, it is possible that this figurine was a votive offering to the god. Baboon figurines have also been discovered in Isis sanctuaries in Rome. This discovery may indicate the mythological connection between the two deities, as Thoth provides words to Isis, enabling her to revive her husband, Osiris.