Egyptian Faience Mummy Bead Mask with Scarab and Four Sons of Horus

Modelled in the round with tall conical cap, pinched face, flat discoid upper body and single-piece legs, ovoid foot; lightly punched eyes, navel and nipples, horseshoe punch-detailing to edges; mounted on a display stand. 56 grams total, 10.3 cm including stand



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

This figurine bears a resemblance to other simply crafted figurines found in temple deposits at Byblos and other Phoenician sites. The tall conical cap seen on many of these figurines is reminiscent of the hedjet Egyptian crown, underscoring the robust cultural and commercial ties between the Levant and Egypt.

Round-topped stela with decoration on two registers; the lunette, featuring a winged sun disk with pendant uraei; the main panel with a frieze in sunk relief depicting the pharaoh wearing the double crown, facing left offering the hieroglyphic symbol for 'fields'; a goddess stands behind him, possibly Isis, wearing a tight-fitting robe and sporting a tall two-plumed headdress, with one hand raised in praise; facing the pharaoh is the falcon-headed god, possibly Horus or Her-wer, wearing a double-crown, and behind him stands the ibis-headed Thoth wearing the Atef crown, both gods hold a was-sceptre; repaired, mounted on a custom-made stand. 19.45 kg total, 55 cm including stand



Acquired in the mid-1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12200-222172.

The overall tripartite composition is comparable to numerous stelae of the Ptolemaic Period and can be dated to the 3rd-2nd century B.C. The decorative lunette and/or sky bands and bold sunk relief winged sun disc are characteristic of this period, as is the fringed detailing of the female’s garment. The offering of the ‘field’ symbol is also a frequent depiction of the stelae of this period, which can be understood as a ‘catch-all’ device representing an offering of all the produce from the fields. Such stelae were often produced as stock products to which clients would have their names and other details added. Therefore, the stela is likely an example of a stela awaiting a purchaser. After the purchase, the hieroglyphic labels would be added to the figurative tableau, and a dedicatory text would be carved into the plain rectangle in the lower part. Sometimes, however, it appears that a purchaser could not afford the additional expense of a professionally engraved inscription, and so would scratch a short dedication in the lower panel as seen, for example, in the stela for Horudja from the Delta site of Tanis and now in the Musée du Louvre (inv. no. AF 11682).

Stylised ostrich plume surmounting a ram's horn, uraeus with sun disk to one side; side tang and loop on the underside for attachment; the plume decorated with a series of narrow horizontal recesses to accept inlays, with some original remaining as well as later replacements in blue glass. 244 grams total, 18.5 cm



UK private collection of Werner Forman (1921-2010), formed between 1950-1980.

The atef crown consists of a central element similar to the hedjet or White Crown, flanked by two ostrich feathers, often with a pair of ram's horns beneath and uraei on either side. The meaning of atef is uncertain, but it may mean either 'his might' or 'his terror'. The crown first appeared in the 5th Dynasty and is particularly associated with the underworld god Osiris.