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LOT 0534
Egyptian Faience Mummy Bead Mask with Four Sons of Horus
PTOLEMAIC PERIOD, 332-30 B.C.
11 7/8 in. (113 grams, 30 cm).
A netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with a false beard, a scarab with extended wings below, and the 'Four Sons of Horus’ figures beneath the scarab, joined together with areas of open netting of tubular examples; restrung with some later beads.
ProvenanceEx Mariaud des Serres, Paris, France, 1990s.
LiteratureCf. Manley, B., and Dodson, A., Life Everlasting. National Museum of Scotland Collection of Ancient Egyptian Coffins, Edinburgh, 2010, p.114, no.43, for a bead-work shroud incorporating the mask, winged scarab, and Four Sons of Horus.
FootnotesWinged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration.
The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the erect-eared jackal-headed Duamutef who protects the stomach, followed by the falcon-headed Qebehsenuef, who protects the intestines, then the human-headed Imsety, protector of the liver and, finally, the baboon-headed Hapy on the right, protector of the lungs. The internal organs were often placed in canopic jars with the head of the respective Son of Horus. Amulets depicting these deities were placed within the mummy wrappings.
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LOT 0534
Egyptian Faience Mummy Bead Mask with Four Sons of Horus
Sold for (Inc. bp): £312
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Egyptian Faience Mummy Bead Mask with Four Sons of Horus
Ptolemaic Period, 332-30 B.C.Sold for (Inc. bp): £312
A netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with a false beard, a scarab with extended wings below, and the 'Four Sons of Horus’ figures beneath the scarab, joined together with areas of open netting of tubular examples; restrung with some later beads. 113 grams, 30 cm
Ex Mariaud des Serres, Paris, France, 1990s.
Winged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration. The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the erect-eared jackal-headed Duamutef who protects the stomach, followed by the falcon-headed Qebehsenuef, who protects the intestines, then the human-headed Imsety, protector of the liver and, finally, the baboon-headed Hapy on the right, protector of the lungs. The internal organs were often placed in canopic jars with the head of the respective Son of Horus. Amulets depicting these deities were placed within the mummy wrappings. -
Egyptian Alabaster Alabastron
Late Period, circa 664-332 B.C.Estimate: £600 - 800 (+bp*)
Opening Bid: £222
With small everted rim, the body of oval shape with two ear-shaped vestigial handles; rim chipped and base partly absent. 174 grams, 87 mm high
Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display.
Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship. -
Egyptian Bronze Figure of Osiris
Late Period, 664-332 B.C.Sold for (Inc. bp): £5,980
Solid cast mummiform figure standing on an integral plinth; the god cloaked in a tight-fitting shroud, sporting the ostrich-plumed atef crown with uraeus, divine beard, and holding the characteristic crook and flail regalia; traces of gilding remain; mounted on a custom-made display stand. 811 grams total, 21 cm including stand
Private collection, 19th century, thence by descent. Private collection, Neuchâtel. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12195-222135.
Osiris is a deity who represents death and fertility and is commonly regarded as the quintessential god of rebirth. Though he was once a mortal ruler, as a deceased entity, his domain was the Underworld. Abydos was the primary centre of Osiris’s cult, where a renowned yearly celebration of the god was held.
