Egyptian Faience Beaded Mummy Mask

With textured carapace, bull-horned column to the reverse, possibly a symbol of Tanit. 3.94 grams, 15 mm



From the property of the late Mr SM, London, UK, 1969-1999. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The widespread adoption of the scarab, both as a symbol linked to the concept of rebirth, and in its function as a seal, exemplifies the extent of Egyptian influence on Phoenician culture, from its origins in the Levant to its spread across the Mediterranean.

Proof etching on laid paper of plate 11 from Phillipeaux Thèbes - Medynet-Abou Marche Triomphale sculptée dans la Galerie-Nord du Péristyle du Palais with military procession in three registers. 231 grams, 104 x 70 cm



From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.

Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). Medinet Habu is the name given to the impressive mortuary temple built for Ramesses III. The walls are covered with scenes of religious and royal ceremonies, as well as battle scenes. An earlier temple and later tomb complexes are found within its impressive enclosure walls.

Carved in the half-round with detailed mouth, legs and carapace. 70.2 grams, 49 mm



with Galerie Gunter Phuze, Kunst der Antike, Freiburg, 2000, no.352. Ex George Broomis. Private collection, London, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12936-245209.

Scarabs were among the most popular amulets of ancient Egypt. Modelled on the dung beetle, they symbolised rebirth, transformation, and the daily journey of the sun god across the sky. From the Middle Kingdom onwards, they were widely used as personal seals, jewellery, and offerings in tombs. The flat underside was often carved with names, prayers, or symbols, while the beetle form on top carried protective power. Scarabs were believed to safeguard the wearer in life and assist the dead in the afterlife, making them both practical objects and deeply spiritual charms.