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LOT 0469
Egyptian Faience Bead Scarab with Four Sons of Horus
PTOLEMAIC PERIOD, 332-30 B.C.
4 1/2 in. (22.3 grams, 11.4 cm).
Openwork beaded panel depicting a winged scarab with the Four Sons of Horus, Hapy, Imsety, Qebehsenuef, and Duamutef below; restrung.
ProvenanceEx Mariaud de Serres, Paris, France, 1980-1990s.
From a London, UK, collection.
Cf. Manley, B., and Dodson, A., Life Everlasting. National Museum of Scotland Collection of Ancient Egyptian Coffins, Edinburgh, 2010, p.114, no.43, for a bead-work shroud incorporating the mask, winged scarab, and Four Sons of Horus.
FootnotesWinged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration.
The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the baboon-headed Hapy, protector of the lungs, then the human-headed Imsety, protector of the liver, followed by the falcon-headed Qebehsenuef, who protects the intestines and, finally, the erect-eared jackal-headed Duamutef on the right, who protected the stomach.
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AUCTIONS:
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LOT 0469
Egyptian Faience Bead Scarab with Four Sons of Horus
Estimate £100 - 140€120 - 160 (for guidance only)$140 - 190 (for guidance only)
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Modelled resting on a rectangular base, with fur-texture detailing and hieroglyph to the underside. 2.01 grams, 17.59 mm
From an old Suffolk, UK, collection. Acquired in the UK before 1980. From the personal collection of Derek Rogers, Suffolk, UK.
The cat was sacred to Bastet, a protective mother goddess and the daughter of the sun god Re. Amulets provided the wearer with the goddess's protection. Her name means ‘she of the bast [ointment jar],’ which may have contained a substance favoured by or exclusive to royalty. Originally, Bastet was depicted as a woman with the head of a lioness, but by the New Kingdom, she was typically depicted with a cat's head. She is sometimes shown with kittens, emphasising her maternal role as a fierce protector of offspring. -
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For thousands of years, artisans in Egypt created vibrant ceramics to echo the beauty of rare jewels. These ornaments were created with almost every material, colour, and texture imaginable and they come from across Egypt and beyond: vibrant blue lapis lazuli from Afghanistan, glossy black obsidian from Turkey, and aqua-green turquoise from the Sinai. They were worn in life and, after death, they served as precious ornamentation for mummies. -
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