Egyptian Faience Amulet Collection

Squat in profile with integral discoid base, broad discoid rim to the mouth. 190 grams, 53 mm wide



Swiss collection, acquired in 1998.

Such vessels contained kohl, an eyepaint either green or black. Kohl was used as a cosmetic in daily life, mentioned in funerary texts as necessary make-up in the presentation of the deceased before Osiris, and served as a medical treatment for eye ailments. The small size of kohl jars and their tiny capacity indicate the preciousness and costliness of the contents.

A netted beadwork panel of annular and tubular glazed composition beads in blues, greens, black, cream and red-brown colours, depicting a mummy face mask with false beard, a scarab with extended wings below, the 'Four Sons of Horus’ beneath the scarab, joined together with areas of open netting of tubular beads; restrung with some later beads. 58 grams, 25.5 cm



Ex Mariaud de Serres, Paris, France, 1980-1990s. From a London, UK, collection.

Winged scarabs were often used as funerary amulets and believed to symbolise the deceased's rebirth and regeneration. The Four Sons of Horus were deities responsible for protecting the deceased's internal organs. Here, on the left, is the baboon-headed Hapy, protector of the lungs, then the human-headed Imsety, protector of the liver, followed by the falcon-headed Qebehsenuef, who protects the intestines and, finally, the jackal-headed Duamutef on the right (note his erect ears are indicated), who protected the stomach. These internal organs were often placed in canopic jars with the head of the respective Son of Horus. Amulets depicting these deities were placed within the mummy wrappings.

The larger with squat profile, slight flare to the foot, carinated shoulder and small rounded rim; the smaller with wide flat rim, round shoulder and body tapering to a flat base. 310 grams total, 43-61 mm high



Mary Stout Shaw (1880-1962); thence by direct descent to the present owner. Accompanied by a copy of a 1976 family photo featuring some of the collection on display, the larger kohl jar is clearly visible on a 1976 family photo. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12197-220887.

Mary Kilgour Stone was born in 1880 in Cincinnati, Ohio. On 25 November 1903, she married Percy Wyfold Stout from Gloucester (DSO, OBE, 1875-1937), who had moved to Cairo after an international rugby career. After fighting in the First World War, Percy became the Director of the Egyptian Delta Land Company and the Anglo-American Nile Tourist Company. He and Mary were friends with the famous Major Gayer-Anderson, who worked as a doctor on the company’s cruise boats between 1930 and 1939. Gayer-Anderson tells in his memoir how this allowed him to make frequent trips to Upper Egypt and fulfil his passion for collecting (and dealing in) ancient Egyptian art. In his company, Mary became an enthusiast about all things Egypt and formed an elegant collection of ancient Egyptian alabaster vessels, including the following lots. She was particularly fascinated with the ancient cat goddess Bastet. Therefore, when Gayer-Anderson decided to give his famous ancient bronze cat to the British Museum in 1939, he made sure the donation was in both his name and Mary Stout Shaw’s, as a tribute to their friendship.