Egyptian Eye of Horus Amulet

Comprising a fragment of a clavus in white and purple linen and wool, S torsion, the central scene representing a dancer; a small fragment of a double segmenta, ornamented with vegetal embroidery; two orbiculi, one embroidered with a flower inside a rondo and with a cross in the centre, the other with a simple vegetal ornament. 40 grams total including package, 7.2-15.7 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

The segmentum with the dancer was probably part of the vertical clavus of a tunic; it is highly probable that the embroidery refers to the Dionysian cycle, with dancers, animals and probably, in the missing parts, hunters.

Comprising: an orbiculus in coarse linen and brown wool, S torsion, embroidered with a stylised figure; a fragment of a second orbiculus in red, green, white and black wool, crenellated borders. 11 grams total including package, 47-67 mm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

The iconography of this fragment is called "Nilotic," as it depicts plant and human elements linked to life on the Nile River. These images are recurrent on Coptic textiles. Weavers created patterns that allowed them to reproduce these motifs on any type of fabric (curtains, tassels, clothing).

Encaustic painting on thin linen fabric, upper part of the funeral shroud with half-length representation of the deceased, representing the bust of a young man in the guise of mummiform Osiris holding implements of his divinity, black hair, wearing a gilt broad collar (maniakion) and netting, pink dress ornamented with rosettes, traces of halo in white pigment; set in a glazed frame. 4.3 kg, 58 x 63 cm including frame



Collection of the estate of Patti Cadby Birch (1923-2007), New York, USA. with Sotheby’s, New York, Antiquities, 5 June 2008, sale no.8452, no.105. European private collection, acquired thereafter. Accompanied by a copy of an Art Loss Register certificate, no.S00014603. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12612-234638. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Fayum portraits, painted on wood or linen, applied to the mummies of the Graeco-Roman period, are one of the most wonderful legacies that the koiné of the Graeco-Roman world has left us. Due to the favourable climate enhancing the state of preservation, these encaustic paintings have left us an almost photographic testimony of the faces of the inhabitants of Roman Egypt. The realistic portrait shows here the idea of the deceased as Osiris. This idea, already existing in the Ptolemaic Period regardless of the gender of the person represented, continued to exist in the Graeco-Roman period. The deceased is undoubtedly a young man, beardless, with black and slightly frizzy hair. A similar male portrait with the same type of clothing, the attributes: nimbus and the identifying elements of Osiris can be found in a portrait now in Paris (Parlasca, 2003, no.771, pl.172,3). Patti Cadby Birch (1923-2007) was a prominent American philanthropist and collector, known for her significant contributions to the arts. A patron of institutions such as The Metropolitan Museum of Art and the Museum of Modern Art in New York, she supported numerous exhibitions and acquisitions, particularly in the fields of antiquities and Islamic art. Works from her esteemed collection have been widely exhibited and are held in several major museum collections.