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LOT 0481
Egyptian Coptic Textile Fragment Group
CIRCA 5TH-6TH CENTURY A.D.
7 1/2 - 13 in. (41 grams total including package, 19-33 cm).
Comprising a large segmentum in linen and wool, with a hare and nereid, wool purple on linen, S torsion, borders with dentellid decoration; two other segmenta in wool and linen, part of clavi, with floral and vegetal embroidery. [2, No Reserve]
ProvenanceAcquired 1970s-1996.
Property of a North American collector.
London collection, 2016.
Cf. Del Francia Barocas, L., Museo dell'Alto Medioevo, Roma, I materiali Copti, p.98, for similar textiles.
FootnotesThe theme of rabbits or hares, in association with other characters and animals of the Dionysian thiasos (here a nereid), has notable parallels. Such representations are linked to narratives of the Dionysian cycle.
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AUCTIONS:
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Egyptian Limestone Relief Fragment with Female Figure
New Kingdom, 18th Dynasty, circa 1295 B.C.Sold for (Inc. bp): £4,550
Showing a female figure as part of a procession, carrying a loaf of bread, a second offerant behind her; mounted on a custom-made display stand. 3.12 kg total, 42 cm high including stand
From the estate of the late Professor Dr E. Bernardo Streiff, Geneva; a distinguished collection of antiquities formed during the 1950s-1970s. with Galerie Rhéa, Zurich, Switzerland. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12625-236383.
Professor Dr E. Bernardo Streiff (1911-2001) was a prominent Swiss physician and academic based in Geneva, best known for his contributions to medical science as well as his deep passion for ancient art and antiquities. Over the course of several decades, particularly between the 1950s and 1970s, Professor Streiff assembled a highly regarded private collection of antiquities, reflecting both scholarly discernment and aesthetic sensitivity. His interests focused on the art and material culture of the ancient Mediterranean, with a particular emphasis on Greek, Etruscan, and Roman objects. A connoisseur guided by academic rigour, Dr Streiff maintained close ties with museums, galleries, and archaeological experts of his time. Many pieces from his collection were acquired from leading European dealers and fairs, and are notable for their quality, provenance, and condition. Following his passing, objects from the Streiff collection have appeared in respected sales and exhibitions, recognised for their integrity and the refined eye of the collector behind them. -
Egyptian Turquoise Faience Shabti of Prince Khaemwaset
New Kingdom, Ramesside Period, 19th Dynasty, 1282-1225 B.C.Estimate: £8,000 - 10,000 (+bp*)
Opening Bid: £3,500
Wearing daily dress and carrying agricultural implements, with dark blue details including his short wig with side-lock, designating him as a Sem-priest of Ptah at Memphis, the text on the kilt naming him as 'Sem-priest and King's son Khaemwaset'; with round-topped back support, the reverse with two columns of hieroglyphs with part of the shabti formula: "He says: O shabti, if one counts, if one is reckoned to do all the works that are to be done there in the God’s land—now indeed obstacles are implanted therewith—as a man at his duties, ‘Here I am,’ you shall say when you are counted off to cultivate the fields, transport by boat the sand of the east to the west and vice versa; ‘Here I am,’ you shall say". 284 grams, 15.1 cm
With Barakat, Beverly Hills: reputed to be from the Omar Pasha Sultan collection, (1806-1871) but unpublished in the 1929 catalogue of the collection, nor in Aubert's 1976 article on the shabtis in the collection. Bonhams, London, 1 May 2013, no.282. Accompanied by copies of the relevant Bonhams catalogue pages. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12938-243536.
Prince Khaemwaset was the fourth-ranked son of Ramesses II and the second born to Queen Isetnofret. More is known about Khaemwaset than any other son of Ramesses II, attested by over 150 objects, ranging from statues to temple reliefs. He is traditionally regarded as the “first Egyptologist” for his restoration of monuments belonging to earlier kings, including the pyramids at Giza and Saqqara. Recent reassessment, however, suggests that some of these activities involved dismantling parts of ancient structures for reuse in his father’s temple constructions. -
Very Large Egyptian Expedition Lithograph of the Hypogees Papyrus Manuscript from Thebes
Early 19th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Proof etching on laid paper of plate 61 from Vol.II of Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. entitled Thèbes. Hypogées. Manuscrit sur papyrus. 1ere partie. 207 grams,103 x 68 cm
From the collection of a North American priest. Acquired between 1981-1996. Property of a North American collector.
Produced between February 1802 and 1830 on the orders of Napoleon Bonaparte; published between 1809 and 1828. Just 1,000 copies were distributed to various institutions, printed on laid paper with an 'Égypte ancienne et moderne' watermark. The book is subtitled Recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’Armée française, publié par les ordres de Sa Majesté l’Empereur Napoléon le Grand (Gathering of observations and discoveries which were made in Egypt during the expedition of the French army, published on the orders of His Majesty the Emperor Napoleon the Great). It was the world's first encyclopedia devoted exclusively to the remains of ancient Egypt. The plates of this book are the first to present the archaeological sites of Thebes (Luxor). The papyrus manuscript was recovered from an underground tomb chamber (hypogeum). The text is written in hieratic, a cursive form of hieroglyphic script often used for religious papyrus documents. The scene in the upper register depicts the funerary procession with lamenting men and women on the right, following the deceased's funerary assemblage, including his mummy on a bark.