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LOT 0576
Egyptian Coptic Textile Fragment Group
CIRCA 4TH-5TH CENTURY A.D.
2 3/4 - 9 5/8 in. (59 grams total including package, 7-24.5 cm).
Comprising: a fragment of a double segmenta from the sleeve of a tunic in purple wool on linen, embroidered with vegetal motifs; the fragment of a double segmenta from the hem of a cloak in brown wool on linen, embroidered with S pattern; a tablion with central geometric motif and border embroidered with meanders; a fragment of tapestry in yellow, green and red wool, S torsion, embroidered with floral patterns. [4, No Reserve]
ProvenanceAcquired 1970s-1996.
Property of a North American collector.
London collection, 2016.
Cf. Del Francia Barocas, L., Antinoe, Cent’anni dopo, catalogo della mostra, Firenze, Palazzo Medici Riccardi, 10 Luglio – 1 novembre 1998, p.83, for similar textiles.
FootnotesThe fragments are decorative parts of tunics and cloaks. These are fabrics of great decorative finesse, with some elements displaying an unusual and extremely well-preserved color palette. The plant designs recall Iranian motifs.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Egyptian Gold Bes Amulet
New Kingdom, circa 1550-1070 B.C.Sold for (Inc. bp): £1,235
Mask of Bes with feathered crown; attachment bar to reverse. 3.57 grams, 18 mm
Ex French collection, early 20th century. From the collection of a late Japanese gentleman, 1970s onwards.
From the New Kingdom onwards, Bes became one of ancient Egypt's most popular apotropaic deities. Despite his somewhat fearsome appearance, Bes served as the patron and protector of pregnant women and children, and was also believed to shield them from snakes. -
Egyptian Faience Nefertem Statuette with Hieroglyphs
Late-Ptolemaic Period, circa 664-30 B.C.Sold for (Inc. bp): £468
Presented in a striding pose with his left leg forward and his arms at his sides; wearing his emblem, the lotus-flower headdress from which two plumes emerge, and a menat on each side; dorsal pillar with hieroglyphs, beginning with the incantation: "Words spoken by Nefertum, son of Sekhmet...." 42.8 grams, 11.6 cm
From the collection of a gentleman, acquired on the London art market in the 1990s.
Nefertum is usually depicted as a young man wearing a headdress with a lotus flower or a crown featuring the flower. The god is often linked to beauty, healing, and the lotus flower, with his cult connected to the royal family and the cycle of rebirth. Nefertum’s imagery and symbolism associate him with themes of creation, renewal, and the sun; he symbolises the first sunlight and the pleasant scent of the Egyptian blue lotus flower, emerging from the primal waters within an Egyptian blue water lily. -
Egyptian Bronze Figure of a Shrew
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £715
Modelled in the round in a crouching pose on a rectangular base with an attachment peg. 145 grams, 73 mm
From the collection of a gentleman, acquired on the London art market in the 1990s.
This figure most likely comes from a shrew coffin or votive statuette. The dwarf shrew (Crocidura nana) and Flower’s shrew (Crocidura floweri) were among many animal species buried in dedicated cemeteries across various parts of Egypt. Ironically, these tiny creatures symbolised Horus in his raptor-headed form — a figure who, in reality, would have preyed upon them. Shrews were associated with Khenty-irty, the “seeing-and-blind god,” due to their ability to navigate darkness. It may be possible to read the shrew’s symbolism as that of seeking light in darkness, representing the Egyptian belief in the deceased’s journey through the hours of the night before rebirth at dawn. Radiographic analysis of a bundle containing about twenty-one shrews shows that they were dried whole, with no evisceration, preserved by being ‘pickled’ in natron.
