Egyptian Coptic Textile Fragment Group

Rectangular table with the upper part carved in high relief in the shape of a bread loaf on a mat representing the hieroglyphic sign for "offering" (ḥtp), with two rectangular recesses for libations, and extensive hieroglyphic inscriptions displaying offering formulae along with the titles and name of the deceased: "an offering that the king gives and Anubis, the one upon his mountain, a voice offering of bread and beer for the sole companion, god’s sealer, the revered one before the god, lord of the sky/heaven, In[y]". 14.75 kg, 45.5 cm



Acquired 1970s-1996. Private collection, Switzerland. with a North American collector. London collection, 2016. Accompanied by an academic report by Egyptologist Paul Whelan. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.13001-244462.

Offering tables played a significant role in ritualistic activity within tombs. Their origins may be traced back to the simple act of placing a loaf of bread on a reed mat during Predynastic burials, which gradually evolved into a more formalised and durable expression in stone. The distinctive form also became a hieroglyph, used in words meaning “to be satisfied,” “to be satiated,” and similar expressions, reflecting appropriate sentiments for food and drink offerings.

Modelled seated on a tongue-shaped base, with simple facial detailing and suspension loop to the back. 3.25 grams, 28 mm



Ex London gallery and Belinda Elliston, a member of the Egyptian Exploration Society, 1940s onwards.

In ancient Egypt, the cat was venerated as the sacred animal of the goddess Bastet, whose principal cult centre was Bubastis in the Nile Delta. Although cats were once part of folk practice, their veneration as part of formal cults spread across Egypt during the Late Period. Bastet was closely linked to lion-headed goddesses like Sekhmet, Tefnut, and Pakhet, and the cat itself became associated with solar imagery: the Book of the Dead portrays the sun god as a Great Cat vanquishing Apophis beneath the sacred Ished Tree. The cat could also embody the Eye of the Sun or, more often in Bastet’s case, the Eye of the Moon. Mummified cats were frequently dedicated as votive offerings, and some of their feline-shaped coffins were adorned with finely crafted bronze heads to enhance their divine likeness.

Comprising: an orbiculus in purple wool and coarse linen, on brown linen background, S torsion, embroidered with two stylised lions, the borders crenellated; a tabula in purple wool and coarse linen, on brown linen background, S torsion, embroidered with a central cross, the borders decorated with meanders. 36 grams total including package, 8.7-13 cm



Acquired 1970s-1996. Property of a North American collector. London collection, 2016.

The tabula, or tablion, was a squared embroidery decorating tunics or mantles. The Christian elements, like the cross at the centre of our tabula, began to decorate the garments from the 4th century onwards.