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LOT 0463
Egyptian Carnelian Necklace with Djed Pillar
LATE PERIOD, 664-332 B.C.
17 1/4 in. (12.68 grams, 43.5 cm).
Composed mainly of oblate and spherical beads, four poppy seed pendants, and a larger djed pillar pendant; restrung with a modern clasp.
ProvenanceFrom an Israeli collection, formerly with the Archaeological Centre in Jaffa.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
See Lacovara, P., and Markowitz, Y.J., Jewels of the Nile: Ancient Egyptian Treasures from the Worcester Art Museum, Worcester MA, 2020, pp. 144-145, for a carnelian bead necklace with similar poppy beads.
FootnotesThe djed pillar symbolises endurance and stability. Used as a funerary amulet since the Old Kingdom, it was first linked to Ptah and Sokar, later becoming associated with Osiris as his backbone. Chapter 155 of the Book of the Dead references it in the context of resurrection. Beads in the form of poppies were used to heal and alleviate pain and to ward off death. These types of amulets were also linked to Osiris, the Egyptian deity of agriculture, death, and the afterlife.
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AUCTIONS:
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Egyptian Silver Hathor Amulet
Late-Ptolemaic Period, 664-30 B.C.Sold for (Inc. bp): £975
D-shaped mask representing the human-headed Hathor with cow ears and a short beard, a ribbed suspension loop above. 0.7 grams, 11 mm
From an early 20th century collection. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Limestone Relief
Late Period, 664-332 B.C.Sold for (Inc. bp): £2,080
A fragment featuring a low-relief depiction of a male head in profile with a shoulder-length duplex wig, the upper part intricately detailed with herringbone stripes and a fringed edge, transitioning into heavy curls at the lower part, sporting a short beard and a boldly carved ear with an indented lobe, drilled for a mounting peg. 1.95 kg, 26.5 cm
Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12626-234637. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Egyptian Green Glazed Steatite Syncretic Amulet of Mut
Third Intermediate Period, circa 1069-735 B.C.Estimate: £2,500 - 3,500 (+bp*)
Opening Bid: £1,250
Modelled in the round, formed as the goddess standing before a high-backed throne cradling the head of a standing child to her chest; the goddess with tiered double-crown and tripartite wig; throne with low-relief figure of the lioness-headed goddess Sekhmet to the rear with spread wings forming the arms of the chair. 22.6 grams, 61 mm
with Jean-Phillipe Mariaud de Serres, Paris, France. Private collection, London, UK, acquired from the above in 1992. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12633-235083. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Mut was a prominent mother goddess in ancient Egyptian religion, associated with creation, motherhood, and the sky. She was the consort of the god Amun and the mother of Khonsu, forming the Theban triad with them in Thebes. Mut's name ("mother" in ancient Egyptian), reflects her role as a divine mother and patroness of motherhood. Sekhmet was revered as a powerful and fierce protector. Her presence was believed to ward off evil and safeguard the people from harm. In ancient Egyptian mythology, Sekhmet was also a manifestation of Hathor, another powerful birth goddess.