Egyptian Bronze Figure of Isis and Horus

Modelled in the half-round with low-relief hatched detailing; perching on a D-section base; mounted on a silver support and a wooden display stand. 18 grams total, 55 mm including stand



with Jean-Phillipe Mariaud de Serres, Paris, France. Private collection, London, UK, acquired from the above in 1992. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The falcon inlay possibly symbolises Horus, the god of the sky, war, and protection. Horus was one of the most significant and widely worshipped gods in ancient Egyptian mythology. His importance spans multiple facets of Egyptian religion, including kingship, protection, the sky, and the sun. Depicted in various human and animal forms, Horus played a vital role in Egyptian cosmology, especially as the protector of the Pharaoh and as a representation of divine authority.

Modelled in the round squatting on an ellipsoid base, lug to the underside, repaired. 114 grams, 60 mm



From the collection of a gentleman, acquired on the London art market in the 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The ibis, particularly the sacred species known as the Egyptian ibis (Threskiornis aethiopicus), held a prominent place in ancient Egyptian religion and culture as a manifestation of the god Thoth. Revered as the deity of wisdom, writing, and knowledge, Thoth was often depicted in human form with the head of an ibis. During the Late Period onwards, the practice of mummifying ibises became widespread, leading to the creation of vast necropolises dedicated to these sacred birds. In places like Saqqara and Hermopolis, thousands of ibis mummies have been discovered in specially constructed catacombs. The mummification of these birds was not merely a ritual act; it was seen as a sacred offering to Thoth, meant to honour the god and seek his favour. Egyptians believed that by preserving the ibis through mummification, they could ensure its safe passage to the afterlife, establishing a direct connection between the earthly realm and the divine. These mummies were often accompanied by votive offerings, like this bronze figurine, further emphasising the relationship between the ibises and Thoth.

Modelled in advancing pose wearing a tight-fitting robe, cat-headed, with a sistrum in one hand and a Bes head emblem in the other; suspension loop between shoulders. 3.75 grams, 38 mm



François de Ricqlès, Paris, Archéologie, 30 September-1 October 1996, no.332. Private collection, London, UK, acquired from the above sale. Accompanied by a copy of a French cultural passport, dated 2 October 1996. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Bastet is typically depicted with the head of a lioness or domestic cat. The cat symbolises protection, motherhood, and, later, gentleness and domesticity, qualities associated with Bastet, especially in her later evolution from a fierce lioness to a more benevolent feline goddess. The sistrum she holds is a ritual musical instrument associated with Hathor and other birth goddesses and is linked to joy, music, and divine protection. Bastet was often invoked during music and dance ceremonies, and the sistrum reinforces her role in celebration and protection. Bes was a dwarf god known for guarding households, particularly mothers and children. His image on Bastet’s amulet emphasises her protective role, especially at home and during childbirth.